The story of rebuilding spiritual life after World War II is closer to traditional classic movies in terms of tone, subject matter and rhythm. No longer throwing suspense and reversal again and again, and no longer using narrative techniques to shock the audience, in the third part of the film, Ou Rong revealed the truth of Adrian's mourning for Frantz early, although the core is still false Combining stories that are difficult to distinguish between true and false, Ou Rong tries to dig more heavy themes that have not been touched before in this film, and tries to express emotional experiences that transcend the country, nation, and even time. Adrian's trip to Germany in the first half and Anna's trip to France in the second makes Frantz's storyline mirror-symmetrical, equally repelled, same anthem chorus, same runaway, same family reunion, The same lies, the same music played, and the same way of saying goodbye recorded the two people’s mental journey in similar circumstances. Adrian seeks redemption and forgiveness in the midst of anxiety and despair, and Anna seeks hope for a new life in grief. But too much attention was paid to the neat structure of the confrontation, and Anna's emotional changes.
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