A few of the deaths look deliberate, apparently to push the rhythm of the plot. It looks so playful. In terms of the plot, it's a bit interesting, but because of the deliberately accelerated rhythm several times, I feel that I can't fully bring it into it. Four stars for the elite who are half smart. 1. The bow and arrow girl who still insisted on feminism at the time of her death.
2. Athena who did not understand the novel.
3. The fried dick brother who started to blow B when he thought he was proficient in disguise.
4. Mocking the stewardess for not eating caviar and not drinking 250,000 knives and three bottles of shipwreck wine.
As if seeing his own shadow, should he always insist on his own views about his own truth, or should he adapt to changes? The elites in the story have no fundamental understanding of "political correctness", so they each have some strange beliefs, but they are always a little bit worse. There is a kind of bad taste of Handan toddlers, but it is also irresistible. I have no way to answer these questions about racial conflicts, feminism, beliefs in life, etc., so I can only adapt myself and live under the guise of self-righteousness in the infinite self-criticism.
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