Movie record

Victoria 2022-03-22 09:02:29

Didn't read any introductions and didn't know the director. I would like to thank my friends and neighbors for letting me see it on the big screen and record my thoughts.

After watching the whole movie, you can feel the strong transition style and delicate emotional expression. The actors perfectly deduce the depression of human nature in the big room. The murmur of the cello is indeed, as Gorky said, can enter the soul, so where there is a cello, words may not exist.

Four women, one play. The position of the other three people at the time of Agnes's onset can be seen in their personalities.

Karin usually stands second. She is worried about her sister, but she tries her best to hide her emotional expression. She wears an all-black dress, with high shoulder pads and corsets, like a nun; and Maria, I personally think she is the most emotional. Yes, unlike other neighbors, I think she is the most innocent and lively one (since childhood), so she can flirt with the doctor boldly in the house, and hold her sister's in fear after Karin escapes from the house Hand (although she was still scared to cry), you can also sneak some money to Anna and leave, she is not a bad person, she is just too naive, disgust is disgust, like is like. So she hid in the far corner of the room when Agnes cried, so she was the first to cry. And Anna, it may be a mother's love, or it may be a unique emotion for Agnes. Every time, she comes to Agnes's side with a sincere anxious look to take care of her, hug her, and accompany her in a breastfeeding state. She doesn't have a montage of her own, but she permeates every corner of the story, including her dead daughter.

It can be seen that the heroines in the story are more or less dissatisfied with the emotional status quo, and because of this dissatisfaction, I guess I used many fantasy shots (such as the only two scenes with blood stains), and these shots show What comes out is that these girls have the idea of ​​breaking out of the status quo, but haven't taken that step. Perhaps because of Bergman's interpretation of red's "soul", the bloodstained scenes were actually what the girls wanted, including the knife on Maria's husband's chest and the glass shards Karin cut through her vagina, which were not real.

The bravest is actually Anna. When she shouted in Agnes, her undisguised worried eyes, hurried body movements and gentle whispers contained possible "love", "family affection", or just "friendship". ”, but from the scene of Anna holding Agnes like the Virgin Mary, and refusing her wish for inheritance and lighting a candle, she began to read Agnes' diary, and the suspicion of any secret feelings disappeared, only knowing that they There is sincere affection between them. They were all the same, so lonely.

In fact, the tragedies of girls are mostly caused by loneliness. When the husband goes out for a long time and the sisters talk less and less, Maria's symptoms similar to skin thirst and Karin's repeated attempts to commit suicide and the idea of ​​closing her heart appear. And Agnes' cries of "who can save me".

Male characters are missing, but the male gaze is everywhere. Women of that era could not escape these confinement. Hope, as Beauvoir said:

One day in the future, a woman may not love with her weakness, but with her strength, not to escape from herself, but to discover herself, not to devalue herself, but to express herself - on that day, love will not matter to a man. For her, it will be a source of life, not a source of mortal danger.
But until that day comes, love is the bane in its most moving form.

Finally, my favorite translation of the title is "Shout and Whisper".

Shouting, it is the hostess's. They have husbands and property, but they are not free. Their waists, their restraints on themselves, they have ideas of resistance but no motivation to practice. They shouted in their hearts, they shouted in reality, but it was only a "whisper" in the ears of the world.

Whisper, it's Anna's. She has no house, no inheritance, but she is the freest. She is gentle, but most like "myself". Her gentle whisper is a struggling "cry" to the world.

Whether that is a lie or the truth is just a touch of red.

20210411, the ticket price is a bit expensive "I don't understand it, it's shocking"

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Extended Reading
  • Demarco 2022-03-27 09:01:15

    Everywhere is red representing irritability and desire, and each female-centered drama is accompanied by the opening and closing of scarlet. The clock represents time and expedites the demise of life. No matter what, we've all spent a full and happy afternoon with the people we love, and that's enough.

  • Gabrielle 2022-03-24 09:03:02

    Every time I watch Bergman, I have a sense of despair that Eurydice returns to the underworld on his way back to the world. The ability to love and the power to be loved were taken away from his soul little by little, leaving the dead walking dead. I have never felt that red can be so depressing. Since you allow the whole world to sink, why do you still leave a ray of life at the end? Being born as a human is already an original sin, and it would be cruel to refuse to forgive.

Cries & Whispers quotes

  • Anna: [reading Agnes' journal entry] "Wednesday, the third of September. A chill in the air tells of autumn's approach, but the days are still lovely and mild. My sisters, Karin and Maria, have come to see me. It's wonderful to be together again like in the old days. I'm feeling much better. We were even able to take a stroll together. It was a wonderful experience, especially for me, since I haven't been outdoors for so long. We suddenly began to laugh and run toward the old swing that we hadn't used since we were children. We sat in it like three good little sisters and Anna pushed us, slowly and gently. All my aches and pains were gone. The people I'm most fond of in all the world were with me. I could hear them chatting around me. I could feel the presence of their bodies, the warmth of their hands. I wanted to cling to that moment, and I thought, "Come what may, this is happiness. I cannot wish for anything better. Now, for a few minutes, I can experience perfection and I feel profoundly grateful to my life, which gives me so much."

  • David: Come here, Marie. Come. Look in the mirror. You're beautiful. Perhaps even more than when we were together. But you've changed and I want you to see how. Now your eyes cast quick, calculating, side glances. You used to look ahead straightforwardly, openly, without disguise. Your mouth has a slightly hungry, dissatisfied expression. It used to be so soft. Your complexion is pale now. You wear makeup. Your fine, wide brow has four lines above each eye now. You can't see them in this light, but you can in the bright of day. You know what caused those lines?

    Maria: No.

    David: Indifference. And this fine contour from your ear to your chin is no longer so finely drawn - the result of too much comfort and laziness. And there, by the bridge of your nose. Why do you sneer so often? You see that? You sneer too often. You see it? And look under your eyes. The sharp, scarcely noticeable wrinkles from your boredom and impatience.

    Maria: Can you really see all that there?

    David: No, but I feel it when you kiss me.

    Maria: I think you're joking with me. I know where you see it.

    David: Where?

    Maria: In yourself. Because you and I are so alike.

    David: You mean in our selfishness, coldness and indifference?