My favorite movie, Akira Kurosawa's excellent oriental adaptation, with many deeper meanings. Adding three lines in parallel is the best part. It strengthens the closed loop of the drama and the sense of fate of the characters. One line is the old protagonist and the son. The line is the most important dark line (b story: the ladies who burned the city in the last life. This story is very reasonable in the East. The feudal system is the most important thing about the king's authority, flattering and admonishing. It is not uncommon for the infatuation and desire for power to lead to all betrayals. There is even a betrayer's suspicion of the betrayal Evil overpowers justice This is the world seeking sorrow instead of tranquility but pain Seeing in the first city people are fighting each other for tragedy and pain Celebrating the absurd family tragedy of war for killing Human tragedies get rights, rituals, music, and colors can be broken. Colors differentiate between forces and characters. In the grasslands in the wind, I can't tell the difference between heaven and hell. I saw the city that I burned in the past. The causal woman is the avenger, the conspirator, the knowledge of evil, fate is the fruit of evil, and another princess who fought hatred with hatred and hatred with Buddha also died of her hatred.
The long shot of the funeral at the end, forward and backward, montage sentences, Buddhist books, scattered gods and Buddhas, grief for human beings
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