Tragedy is really easy to get hooked on. Looking at some of the soundtrack comments, I can't help but think of Shakespeare's Hamlet. It was the revenge of a romantic man, "What a masterpiece man is! What a noble reason! What a power! What a graceful appearance! What a graceful act! What an angel in conduct! How intellectually like a god! The essence of the universe! The primate of all things!" What they have in common is that both have successfully shaped a beautiful and tragic soul.
This is probably the best ode to "struggling before death because of youthful love" I've seen so far. The result of the plot has long been doomed. Human emotions are unstoppable, and a strong heart comes from the tragic understanding of oneself. Kaoru is just like that. In contrast, I just feel that I'm cowardly and don't know enough about things. I have been studying mathematics in college for three years, but I have not listened carefully to some courses and failed to complete a lot of homework. I have strayed from the self who chose mathematics in the first place, and my future and future are shrouded in fog. How can I see the truth clearly.
When I finished the first half, I thought this animation was like my composition. It was empty and unconvincing, and there were too many redundant parts. The inner monologue and the cute and angry scenes were also very boring. But the plot advancement and emotional release in the second half completely drove my emotions and made me feel the fullness of the emotional drama. It is true that it is not difficult for a tragic love work to do this, but what is so unique about "April"? Perhaps it is touching classical music. Some people say that the characters in the animation are just rubbing against the works of the masters to express their emotions. As a layman, a person who lacks in musical literacy, I would like to say that I don’t really care. Perhaps it is the long portrayal of Kaoru in the animation. What attracts the audience is always the inner quality of the characters, but some people hold a completely negative attitude towards her. Probably it carries the youthful fantasies of us people. Riman has too many youthful fantasies, but I can’t find its special feature. Our emotional experience of the country of cherry blossoms on the other side of the sea is so profound a thought.
Personally, I think that adding Kaoru's admiration and love for Gongsheng when he was a child is more rigid, but I can't think of a better motive. The ending is lazy, hasty and hasty, as if I was about to complete the task, I had already overdrawn the pleasure of achievement in advance. I hope this story can make people strong.
The last excerpt from a monologue from the play
"The skin is cold, the quiet and dry air The sheets washed by the sheets make the atmosphere extra soft. The cruel man said that he wants to let me have another dream. I can make my dream come true. I already think enough is enough. I gave up on you but let me again. My heart that has dried up is nourished by water again, and my greed can dream again. I hope that one day I can dance with you such a dream as a waltz."
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