Every picture is worth savoring "Prince of Egypt"

Lucie 2021-11-16 08:01:27

The freshman forgot what the teacher played this film in class for everyone to enjoy, and I revisited it today, the picture and soundtrack are still so shocking. I was taken aback when I saw the year of creation in 1998. The production level 20 years ago was actually better than most domestic animations now. I deeply admire the production and development of domestic animation. Heartache of not being steel.

The whole film has a musical taste. The segment that impressed me the most was the beginning of the Egyptian enslavement of the Hebrews and Moses being sent away by his mother. The rhythm of the music and every movement and every psychology of the characters The activities are so fit, the right tension and the relaxation and ups and downs, with the dramatic light and shadow composition, it is easy for the audience to enter the atmosphere of the story from the beginning.

I think the composition of the picture above is very delicate. The slaves worked hard under the statue of Pharaoh. The huge and majestic eyes of the statue looked at these slaves who worked hard to build it indifferently, highlighting this kind of emperor and The sense of distance between slaves. Then an Egyptian with the appearance of a leader entered the picture. His head overlapped with the Pharaoh’s head. He was angrily urging the slaves. In this picture, the Egyptian image is huge and full of power while the slaves look like that. The weakness and exhaustion of the two sides once again highlighted the opposition between the two parties' identities.

The segment of Moses’s dream uses a moving mural to distinguish reality from dreams, and then echoes the mural where Moses discovered that Pharaoh killed the Hebrews. In the end, this mural also metaphors the death of Ramses’ eldest son. This mural has undertaken two major turning points in the whole story. One is the break between Moses and the Egyptian royal family, and the other is the break between Moses and his brother.

Although they are all in the same scene, the art of the film expresses different points through the light: when Moses first discovered this mural, the light can see the complete story of the entire mural, from the fingers of the pharaoh to the child in his hands. The last place where the soldiers had the brightest light fell among the children who were thrown into the bottom of the sea. The light illuminated the entire process of violence, and Moses learned the truth. When Moses stood in front of this picture for the second time, the light could only shine as far as the soldiers threw the children into the sea, and the brightest place was on the eldest son of Ramses. The light illuminates all the children who were killed. , The eldest son was standing at the bottom of these children's falling, and the torch in his hand flickered slightly, as if the last moment before the meteor fell.

There are so many wonderful scenes in the whole film. I personally think that the film's attainments in music and art are higher than the plot.

Maybe because the social environment in which I live brings me values ​​that are different from all the values ​​in the environment of the story, I really can’t understand why God has such a great ability to hurt so many innocent people to "shock" them. People, instead of directly saving their own people.

Why use one mistake to correct another mistake? Those Egyptian children are also innocent people who have done nothing. Should they die? God keeps talking about life and freedom. Isn't the life of the Egyptians not life, and the freedom of the Egyptians not freedom? I haven’t read the Bible carefully and I don’t know what the accurate story looks like. But in this story, God did not treat people as independent individuals after all. God’s subconscious thought that the people of Egypt were Pharaoh’s possessions, so To persecute the Pharaoh to release people through threats and destruction, I can't see any difference between such behavior and the Pharaoh they hate.

Although the values ​​are different, there is no denying that this is a good film. Looking at the beautiful pictures and the beautiful songs, I still can't help but give this film 5 stars.

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Extended Reading
  • Arely 2021-11-16 08:01:27

    The adaptation format of pen-hold shooting grand biblical stories: 1 silent film 2 animation 3 color stereo modern. The Pharaoh Gods of Thunder feels too realistic like a gladiator. The gladiators have no miracles. The separation of the Red Sea is really not simply a matter of the magnificent and magnificent scenes with powerful special effects. It needs a considerable degree of separation from the false sense to highlight its "god". Animation characteristics meet this point. But the shortcoming of the animation is the inferior joy of the human part, even though the film uses a lot of live action movies with light and dark light and shadow. At the same time, it is a silent film that satisfies the ancient times, the grand composition, and the special effects that are moderately separated from the false. The Ten Commandments of Demir. The modern movie "Exodus", don't shoot with pen-hold shooting, but with abduction. The 60-year edition of Preminger.

  • Rey 2021-11-16 08:01:27

    I don’t know that many people don’t like it. Maybe it’s from the perspective of historical materialism. This film marks the beginning of the decline of 2D animation.

The Prince of Egypt quotes

  • Moses: Rameses? Rameses?

    Rameses: [sarcastic] Oh, let me guess - you want me to... let your people go?

    Moses: I hoped I would find you here.

    Rameses: Get out!

    [throws his wine glass on the floor]

    Moses: Rameses, we must bring this to an end. Rameses, please, talk to me. We could always talk here.

    Moses: [sighs] This place - so many memories. I remember the time you switched the heads of the Gods in the temple of Ra.

    [Moses sighs and starts to leave, until Rameses speaks]

    Rameses: If I recall correctly, you were there switching heads right along with me.

    Moses: No, it was you, I didn't do that.

    Rameses: Oh, yes, you did. You put the hippo on the crocodile, and the crocodile on the...

    Moses: [remembering] ... on the falcon.

    Rameses: Yes. And the priests thought it was a horrible omen and fasted for two months! Father was furious! You were always getting me into trouble!

    [he starts to walk away, then sighs]

    Rameses: But then,

    [he laughs]

    Rameses: you were always there to get me out of trouble again. Hmmph. Why can't things be the way they were before?

    Rameses Son: Father? It's so dark. I'm frightened. Why is he here? Isn't that the man who did all this?

    Rameses: Yes, but one must wonder, why?

    Moses: Because no kingdom should be made on the backs of slaves. Rameses, your stubbornness is bringing this misery upon Egypt. It would cease if only you would let the Hebrews go.

    Rameses: I will not be dictated to. I will not be threatened. I am the morning and evening star. I am Pharaoh!

    Moses: Something else is coming, something much worse than anything before. Please, let go of your contempt for life before it destroys everything you hold dear. Think of your son!

    Rameses: I do. You Hebrews have been nothing but trouble. My father had the right idea of how to deal with your people.

    Moses: Rameses...

    Rameses: And I think it's time I finished the job!

    Moses: Rameses!

    Rameses: And there shall be a great cry in all of Egypt, such as there never has been or ever will be again!

    Moses: Rameses, you bring this upon yourself.

  • Moses: God has come to me again, saying take a lamb, and with its blood, mark the lintel and posts of every door. For tonight, I shall pass through the land of Egypt, and smite all the firstborn. But when I see the blood upon your door, I will pass over you - and the plague shall not enter.