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Abbie 2022-03-22 09:02:32
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Chelsea 2022-01-12 08:02:19
Sokolov hopes to resurrect the imaginary and aesthetic Russian golden age with a block-shaped overall space, and connect it with continental European culture, and usher in the end of the film-the pale, fading era: 1917 Nothing in "Russian Ark" mentions the Soviet red regime, but this historical absence has become a scarred existence in the true sense, and it also exists in the Russian audience watching it. However, under the baroque existence of "Russia", a postmodern writing was accidentally completed. The long shot and voice-over framed a hidden subject for the film, and witnessed a time of Deleuze with different scenes and speed movements. In this ark, the co-presence of history/reality means that the linear chronological history is broken, and it is arbitrarily connected with the current or non-historical state, and smoothly the camera’s Movement, an inland space-style plateau was created.
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Darion 2022-03-27 09:01:15
He's hard enough to make, and he's ambitious enough, but to me, it's a really unattractive film. It's really uncomfortable when the camera becomes a character throughout the film, forcing you to constantly zoom in on the camera's presence.
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Orbeli: Is something still troubling you? Is it the authorities? They want acorns without oak trees. They are not interested in knowing how to nurture the tree of culture, but it will be their doom if the tree falls. Then there will be nothing left. Can't they understand that?
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The Time Traveller: Sir. Sir. A pity you're not here with me. You would understand everything. Look. The sea is all around. And we are destined to sail forever, to live forever.