I don't understand or think it's a bad movie because you are a happy child

Kathryne 2022-03-24 09:01:42

A child who grew up in a carefree, happy family under the care of his parents certainly would not understand.

Of course everyone grows up best in this environment, but there are always some unfortunate children in this world.

Those children who grew up in happy families, when you know how to care and help and understand those unfortunate people around you, you are no longer children, because you understand fraternity.

This phenomenon is a social problem, so it must be solved by all members of society. Those children who grew up in unfortunate families have a knot in their hearts, and everyone should help him dissolve the knot in his heart, let him feel love, and let him be relieved. If the child walks out of the unfortunate family but still faces a cold face, then the knot in his heart is likely to become deeper and deeper, and after a certain level, they may commit suicide or turn their backs on harm. Others, many juvenile murderers and BT killers are formed in this way.

In addition, the community in the film makes me feel very warm. The community is the most basic unit of people-to-people communication, just like a village during the agricultural period. The Party in the film is like the handover of farmers when harvesting crops and the collective activities during festivals. The community culture in the United States is very developed, as if it has evolved from the natural evolution of the village. In contrast, most urban communities in contemporary China are just small independent homes, upstairs and downstairs only when the roof leaks. socialize.

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Extended Reading

Lars and the Real Girl quotes

  • Gus: What are we doing? Why are we doing this for him?

    Karin: Oh, come on. It's funny!

    Gus: Is it?

    Karin: I don't know. I don't know, maybe not.

    [gets up, leaves]

  • Lars Lindstrom: I was talking to Bianca, and she was saying that in her culture they have these rites of passages and rituals and cermonies, and, just all kinds of things that, when you do them, go through them, let you know that you're an adult? Doesn't that sound great?

    Gus: It does.

    Lars Lindstrom: How'd you know?

    Gus: How'd I know what?

    Lars Lindstrom: That you were a man

    Gus: Ahhh. I couldn't tell ya.

    Lars Lindstrom: Was it... okay, was it sex?

    Gus: Um. Yeah, yeah, yeah, it's uh, yeah, yeah it's kind of - it's uh - no. Well, it's kind of sex but it's not uh, you know? I don't know. I don't know. It's - uh - good question, good question.

    Lars Lindstrom: Yeah, but I have to know

    Gus: [dryer buzzes] Hold that thought.

    Gus: [in basement] You know, you should ask Dagmar

    Lars Lindstrom: I did ask Dagmar. And she said that I should ask you.

    Gus: Okay, you know I can only give you my opinion.

    Lars Lindstrom: That's what we want

    Gus: Well, it's not like you're one thing or the other, okay? There's still a kid inside but you grow up when you decide to do right, okay, and not what's right for you, what's right for everybody, even when it hurts.

    Lars Lindstrom: Okay, like what?

    Gus: Like, you know, like, you don't jerk people around, you know, and you don't cheat on your woman, and you take care of your family, you know, and you admit when you're wrong, or you try to, anyways. That's all I can think of, you know - it sound like it's easy and for some reason it's not.