Just say a few dizzy places:
Halo 1, let the woman hostage first, when the police ask her about the situation inside, wouldn't they know the real situation of Shangri-La? Don't you know who the real robber is? As a result, in the end, as soon as Shangri-La went out, he was still subdued, and finally he was sentenced to a sentence.
Halo 2, what are these robbers trying to do? I didn't see them working hard to extort and run for their lives, but they kept babbling on and on. It is estimated that these European bandits are also fans of FAN literary films.
Halo 3...
I finally realized after seeing it. Actually, this is not the director's mistake. The director doesn't care about this at all. He didn't think about the rationality of the plot at all. What I want is a fan of a literary film.
However, there are still a lot of interesting places in it, some European humor, and it's quite cold... How should I put it, it's a movie that "if you don't watch it for nothing, you can't watch it again".
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