The poetic tragedy unfolds in Shelley from the beginning. Like the cursed Oedipus, like the beheaded Eryi by his father.
Shelly, in the eyes of his goddess, had always been the melancholy boy blowing smoke rings in the garden at dusk. She thought she would soon be bored with her young lover, as before. But she kept Shelly by her side for six years. The appearance of this extreme specialization means that the boundary is crossed. The subconscious leaped until Mia was awakened when she saw the female partner hugging the young lover. The camera switched between the beautiful love scene and the disgusting kissing scene. What Mia saw was the one who was vomiting in the garden at dusk. Depressed boy with smoke ring.
Running away was never going to solve the problem, but it would alleviate some of the pain of Shirley's marriage to a girl of her age. Nono's departure brought Shirley an almost devastating blow. Used to clinging to Nuonuo's side, Shirley seemed at a loss during the time she lost her. He is like a rebel, abandoning all worldly concepts, and can't wait to marry a woman of the mother's generation; he is also like a submissive, accepting the value of all worldly eyes, and marrying a girl with a net worth of 1.5 million. Ke Nuonuo is gone, the worldly and non-worldly scales are instantly out of balance, and the worldly law weighs heavily on Shirley, almost making him breathless. He's far from his wife, preferring to stay in a hotel alone; he's frantically looking for Nono, even close to an old, ugly woman with a string of fake pearls.
Shelly seems to be deeply in love with his Nono. In fact, Shelly has only made a goddess in his utopian world, Mia under the blue veil, and he is obsessed with the non-existent soul deep in his soul. And he is not the melancholy boy with smoke rings in Mia's memory. What he needs is not just love, not just Mia. He wanted to grasp the fantasy of the last spiritual world, but found that his Nuonuo, like everyone else, had an absolutely exclusive possessiveness. The world collapsed in front of Shirley, all of which were illusions induced by the constant intertwining of misunderstandings and misunderstandings. Nothing could change his path to eventual death after a loss of value. Rather than saying that Shelly's death was due to disappointment with reality, Shelly's death was a disappointment to herself.
After the narration recounting Shelly's death, the camera finally freezes on Mia's grieving face, her wide-eyed terrified, and she realizes she's old.
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