But beyond that, the real attraction of the film is Beethoven's almost frenetic and maddening enthusiasm for music, the cluttered props, the cluttered rooms, the horrific noise and the disregard for the complaints of the upstairs and downstairs tenants. The image of the symphony was completely echoed in that symphony, because there is a pursuit, so you can be desperate, because you want to pursue, so even if you are deaf, you have to work with a device, he is like a runaway car, desperate for the end. Even if there is little left in the end, I will move forward, even if my enthusiasm burns all the people and things around me, it is not a pity, and as for the part where I disdain the heroine's boyfriend's work, it is really It reflects the artist's pursuit of truth and lofty aspirations, "It lacks life grace, passion, it is a dead worthless thing"
And in the whole movie, for 104 minutes, this kind of enthusiasm and almost crazy persistence runs through. You can say that he is dirty and messy. I have also seen some people say that the characterization is insufficient and the plot is flawed. , but if you are really attracted by this frenzy you will feel that all this is insignificant, just like the beginning of the film, "he is utterly losing his mind" but when the symphony is over in the plot, everyone will get up and cheer and feel the music The joy in the film, the fiery life, and to be honest, if it weren't for this frenzy, even the heroine's clapping gestures look ugly and ridiculous, and everything seems empty and meaningless.
It's like the unacceptable song at the end, I don't know what it is, but I can feel this desperate pursuit in it, the music sounds messy but there is always a melody revolving, like a tower , a tower that is constantly rising, surrounded by appendages that are constantly rising around and changing together, tangled and intertwined, but the main body climbs up desperately, reaching the sky "and then god answers, the clouds open" This is different from the structure that emphasized logic and rationality in the past. It is similar to the beauty in ugly mentioned above. It gets rid of the false beauty and restraint caused by turning to rational dogma because of lack of self-confidence and passion. It is a kind of individual in the true sense. The liberation of the man is in stark and direct contrast to the rational fart, and the judgment is made. Since then the spirit has really been sublimated, "mode them to the face of god and you are the one". And it is this kind of enthusiasm, yes, although the people around him are dissatisfied and complained, they have been reluctant to leave.
I have always believed that in order for a work to impress people, the viewer must be brought into the environment of the studio to experience the creator's state of mind. Otherwise, all performances, roars, and frenzy are boring performances, even sympathy. Can't earn.
Fortunately, the director in the movie is also very good, taking the audience to experience the magnificence of the music and the enthusiasm of Beethoven himself. Although there may be some deficiencies in the structure and characters, this kind of immersive enthusiasm that can ignite the audience makes the film. The film is satisfying and unforgettable.
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