Nikita, half-naked with a sniper rifle (that's a cool gun), was standing in front of the bathroom, by the water in Venice, shooting an unidentified woman while her husband poured out his heart and made a statement for someone he loved. I am worried about this kind of problem. The comedy of that scene is indescribable. Luc Besson's music has always been intriguing. I don't know what kind of rock and roll Luc likes the most, but the soundtrack he chooses is always between lightness and luxury. A certain balance, between the blurred and the sure, gives the impression of being bright, cheerful, free, and full of grace, but Nikita's emotional transformation is a bit blunt, and there is a slight conflict with the smoothness of the whole film, which is not Damaged my impression of Besson, his gunshots are still crisp, bloodstains are still clear, life is still unrestrained, watching his movies I always think of Bizet and Berlioz's music, Gauguin's paintings, Merimi's novels, rain If there is Valéry's poetry, French romanticism is the most wonderful and charming, French symbols are the most suggestive and passionate, French impressions are always elegant and dynamic, and Nikita seems to have something of Garman's. Bloodlines, their willfulness and enthusiasm make me very fond of them, although I haven't found such a MM in reality. But I'll keep trying to find-
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