It seems that it is not appropriate to describe her with a poor face, because she has a strong aura, and she is T. I just can't help but feel sorry. Can't help but think over and over what killed her.
The most important thing is the growth experience. Everyone's tragedy is inseparable from the environment and experience they grew up in. Gia grew up in an unfortunate family. Her mother left the family when she was 11 years old. She felt deeply that she was "abandoned". When children experience this kind of family disputes when they are young, it is easy to suspect that their parents are not in harmony, and that the breakdown of the family is all because of their own mistakes. And this kind of emotion accumulates and brews in the heart, and if no one enlightens, it will evolve into extreme inferiority, desire for love, fear of being abandoned, etc.
Second is her beauty. Without beauty, she might have stayed in Philadelphia, no matter what job she did, or she might have gone astray, but not so tragically. She entered the New York fashion industry because of her beauty and became the most dazzling new star, but she was inevitably infected with bad habits in the industry. Drug use was common in the fashion world at the time, especially for models, in pursuit of good looks in front of the camera. It can be guessed that Gia's first taste of drugs is not what Gia wants, but when everyone around you regards drug use as eating and sleeping, it is normal, and you have just turned eighteen or nine years old. Master, what's the point of taking some drugs. If you don't use drugs, you will appear abnormal.
At this point, the lack of family education is also partly to blame, and some tragedies may have been avoided had Gia's mother been aware of the risks of a girl traveling alone in New York and had taken strict precautions. It can be seen from the film that Gia is very lonely in New York. Although the stars hold the moon in front of the camera, she is like an empty shell without a soul behind the camera. She urgently needs someone to love her, care for her and restrain her. Sadly, there is no one. Her mother visited only occasionally, but with no real concern.
Gia, who lacked family consolation, had to turn to love, and she also said that her sexuality was something to be comforted. In the movie, it seems that the one she loves is really true to each other. But after reading an interview with Gia from ABC a few years ago, that may not be the case. During the interview, Linter was dodging her words. She was reluctant to face up to her relationship with Gia, at least in front of the camera. In her description, Gia is very aggressive in pursuing her (probably is), very self-willed, and once climbed the tenth floor to the windowsill of her house. Gia also regularly calls her 2,30 a day. Gia disappeared for the second time and never heard of her death until much later. "That's it." she said. I don't know why I look so sad. Linter should know Gia very well. She is lonely and willful in her bones. After Gia disappeared for a long time, she did not take the initiative to find or ask her relatives - we know from the movie that she knew Gia's mother. Things changed, and she buried that relationship with Gia, or maybe this is the norm in the fashion industry. Everyone is a passer-by, and every relationship is a play. In this circle, being serious is deadly, being serious is equivalent to suicide, and Gia was the serious child who made a mistake. She lit a bunch of fireworks, dazzled everyone, and ran away quickly.
Finally, off-topic, AJ's performance in this film is really good, but it's a pity that Gia's life is too short and lacks powerful ups and downs, and the film can only do this. After filming this film, AJ couldn't get away from the role for a long time, so he took half a year to work. After that, AJ took home a bunch of trophies with this film, completing the tribute to his wild youth, and at the same time easing the relationship with the actor's father. Now she is a mother of 6 children. She can prop up an action blockbuster by herself, and started to make her own films to promote public welfare, and she is no different in Hollywood.
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