I love you. I'll never leave you.
I love you. I'll never leave you.
I love your mouth. I love your nose.
I love your butt. I love your eyes.
I love your belly. I love your ears.
I love your cock. I love your nose.
I love your mouth. I love you so much.
I'll love you forever and ever and ever and ever.
You're a genius. You're a genius. You're a genius. You're a genius. You're a genius. You're a genius. You're a genius. You're a genius. You're a genius .You're a genius.You're a genius.You're a genius....
This climax is set in a novel sense.
Crazy truth and despair.
The disgust and desire to be called genius, self-inflation, to the extreme.
He set a series of rules for himself and was demanding. It also leads to the desire to control the people you love within your own expectations. This is about the weakness of human nature, which is unavoidable. This may be the inevitable common problem of every creator, struggling to maintain a balance between the free wandering of inspiration and the imposed control of personal will. The most easily associated correspondence is probably the relationship between the director and the actor. It's just that the film adopts a method similar to the magic pen Ma Liang, directly generating the existence of the entity from the imagination in the brain, presenting an extreme and obvious plot, so that we can vividly see the entanglement of the creator in it.
The "Can we start over?" pun at the end of the PS is great. But it's a pity why she didn't introduce herself.
PPS likes the male protagonist's eyes so much. Like the bright sunshine in autumn. Especially at the end, he looked at her eyes full of love and sadness.
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