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Master's Rebirth
Stone 2022-03-25 09:01:19
Although the plot and reality records have been changed, it reflects the plot between Beethoven and music. As said in the play, musicians communicate with God through their souls, and they can hear natural sounds only when their hearts are quiet. I used to listen to Beethoven's music in music class and couldn't hear anything, but when I calmed down and closed my eyes to listen, I found the kind of shock in my heart. Beethoven wrote down his own music in the last moments of his life and followed God.
Extended Reading
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Ludwig van Beethoven: I'm a very difficult person, Anna Holtz, but I take comfort in the fact that God made me that way.
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Ludwig van Beethoven: [conclusion--Beethoven is describing his "Song of Thanks to the Deity"] No key. It's common time, molto adagio, sotto voce. First violin, quarter notes. Middle C up to A. Measure. G up to C, tied, F. Second violin, bar two. Middle C up to A. Double note E, G, C. Viola clef, 2B pressed. It's a hymn of thanksgiving to God, for sparing me to finish my work. After the pianissimo, the canon resumes. First violin takes the theme. Viola, C to A. It's growing, gaining strength. Second violin, C to A, an octave higher. Then the struggle. First violin, C, up an octave, and then up to G. And the cello, down. Pulled down. Half notes, F, E, D. Pulled constantly down. And then, a voice, a single frail voice emerges, soaring above the sound. The striving continues, moving below the surface. Crescendo. First violin longing, pleading to God. And then, God answers. The clouds open. Loving hands reach down. We're raised up into heaven. Cello remains earthbound, but the other voices soar suspended, for an instant in which you can live forever. Earth does not exist. Time is timeless. And the hands that lifted you caress your face, mold them to the face of God. And you are at one. You are at peace. You're finally free.