May Master Li live a hundred years

Leif 2022-04-06 09:01:07

In the youth group, Ang Lee put his understanding of faith naked in front of all mankind. At that time, I thought, what more eloquent enlightenment can this gentle-faced old gentleman make in the future? ?
It wasn't until "Billy Lynn's Halftime Battle" that he breathed a sigh of relief. Aside from technical breakthroughs, this is also an ideological self-sublimation of Ang Lee.
It's still Noono to tell. It's just that he's no longer the good guy, who can see the good, the bad, the beautiful, the ugly, but at the few moments when he has to make a move, he will use the camera to shake out the joy and anger, and then close his hand to the invisible.
It's like Tai Chi.
Believe it or not, this is a flare. It is the real master of the Tao, the first step in the crusade against the despicable.
I believe it.
In short, the master in Li An's heart, perhaps, is really on the road.
Ordinary people, don't worry about the subtle changes of 24 frames, 60 frames and 120 frames. If you can humbly see the story as if you don't understand it, it's already great.
60fps for the premiere viewing. I probably understand the reason why Mr. Li is so desperate for technology. That was mentioned in the interview with Mr. Li before, and the topic he has been pondering recently - the brilliance of human faces.
After watching, there is only worship. May Master Li live a long life.

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Extended Reading
  • Dessie 2022-04-03 09:01:12

    Uncle An said: I have no choice but to express this story with such a bland and realistic lens. The machine is too stupid, and we are too stupid, because it is the first time, no one can tell me how to operate it to make it better. Gorgeous, that's all I can currently do, it's a new learning. Maybe when the audience is used to such clarity and realism, I believe that more imaginative pictures can be taken. This is a process

  • Tiara 2022-04-02 09:01:18

    Its technology is jaw-dropping, not by the occasional amazement, but by the fact that it screams at the audience all the time. The intrusive sensory experience paradoxically weakens the sense of substitution, and the subtlety of details deprives the possibility of subtle expression. The disappearance of the membrane between reality and image is like falling into the uncanny valley; if this is the future of cinema, it has to be the first martyr.

Billy Lynn's Long Halftime Walk quotes

  • [last lines]

    Dime: Seatbelts, ladies.

  • [repeated line]

    Shroom: I I love you.