The story itself is lackluster, summed up in one sentence: Human beings are so immortal that they compare themselves to God and release the beasts that are out of control. There can't be too many similar themes, such as "Frankenstein" as far away as "Ex Machina" and "Human-Beast Hybrid". The subject matter seems to have suffered collective castration, the thinking is completely rigid, and inspiration is missing, showing an incomplete world view of the plot and a fake Taoist face that pretends to be a profound discussion of ethics and human nature. Especially at the end of the film where Morgan fled to the lake in an attempt to sublimate his artistic conception, the emptiness could hardly be added.
In addition, the emotional changes of the characters have no sense of connection. The unreasonable hatred and the love between the girls who have played a little lesbian edge ball are all sudden, there is almost no foreshadowing, and the blunt acting makes the audience extremely playful, of course, this I can't completely blame the director and screenwriter. The lack of acting skills is a big problem. In the film, both the protagonist and the supporting roles did not reach the passing line, which is not a small miracle.
The only advantage is that the design of the only two action scenes is still simple and sharp, so let's give this one and a half stars. As for the reversal plot as the core of the soul, in fact, it was exposed as early as the moment the heroine and Morgan met, and the subsequent development was as expected, and there was not much sense of surprise. Ridley Scott's son is really not a star and a half worse than his father. Where is the influence of family learning? Sorry...
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