Bell orchid

Ransom 2022-03-24 09:03:02

Three and a half. This concludes the Hulot trilogy. The set is expensive, the music is attentive, and the lines are very few. As for the comedy and satire, it is no worse than the previous two.

Sid 2022-03-28 09:01:08

Anti-discipline. The transparent space composed of inorganic materials is originally a disciplined field, but under the leadership of Mr. Yu Luo, the authoritarian point of view of the camera and the audience's sight are diluted by the crowd and architectural space: we are constantly breaking into new places, new Things keep popping up in front of you, and there is no time for him to care. As a result, people, architectural space, and environmental sounds form a configuration that communicates with each other and operates together on a plane of intensity. At the same time, the sense of humor formed by those unconscious limbs colliding with "things" turns into a line of escape: breaking the rigid rules and re-freeing the body's functions. And those muttering French-speaking masses, the almost silent Mr. Hulot, are constantly challenging Anglocentrism: they stutter speech, they stutter language, so that a truly "cosmopolitan" language can come into being.