It's been over a year and a half since the movie. Finally finished it.
The production is indeed a big name, the soundtrack on Hisaishi, and the clothing style of Yohji Yamamoto, this alone is attractive enough.
About Takeshi Kitano, his violent aesthetics. I don't think I'm qualified enough to comment on these.
There is no need to repeat the plot.
Thinking of "Heroes", people are surprised by Director Zhang's use of color. And here, red is dominant.
The red rope that always ties Matsumoto and Sawako; the red paper butterfly with broken wings; when they walked through the autumn, their eyes were full of red, and the maple leaves slowly fell from tree to tree. It should be beautiful, but it is clearly shocking; the park Here, time has passed, and the years have changed, the only constant is the woman's red dress and the waiting faith; at the moment when the old underworld boss was inevitably shot, the camera turned to red, a maple leaf withered, washed by water Take it away; Zhikui and the idol walked to the large rose field, and the red roses were blooming brightly; on the road at night, the blind Zhikui fell in a pool of red blood, and the next day, the police washed the blood with clean water, and the thick Thick bright red, diluted and then diluted.
Who should be sorry for?
Sawako finally remembered the moment she picked up the necklace she was wearing and smiled at Matsumoto, but the pain surged. She tried to smile again, and finally shed tears, no words needed, I was just waiting for Matsumoto to hug her.
After finally being able to eat the lunch that the woman who had been waiting for him for more than 30 years made with his own hands, his joy could not be concealed.
Who else has such cruel courage as Zhikui? Don't know, can't know. Maybe it's better not to see it.
Is life more cruel or love?
Is it fate that is irresistible, or is it the heart of people who cannot peep?
Still watched it.
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