I didn't watch the last two episodes when they came out, too many things pushed it back a day. After a day of delay, I basically did not dare to swipe the social network (because when I woke up and habitually swiped, I saw that Twin Peaks ins posted something like the ending of the show (flicked through.
In short, I just wanted to write something... The original intention was very simple: "Twin Peaks Season three is ending. Is it real??" Is it really over? We all imagined that there could be a hundred more happy endings than Laura whispering to Cooper. When watching e17, the fantasy of e18 is that Cooper's phrase "See you at the curtain call!" must be fulfilled. For example, the red curtain rolls over the curve and the carpet is folded, and it is best to have a mirror shattered. So when e18 ended, I was completely stunned, and I was skeptical that I looked at the progress bar several times in my life, like Mulholland Drive without waking up from a dream.
The first few episodes will still be eager to search for clues, trying to figure out what Lynch is trying to imply or symbolize, but it doesn't take long to lose interest in textual research. It may be that after 25 years, the subconscious wants to watch Twin Peaks as a suspense drama, and wants to know the motives of everything (S1 and S2 do not both make people think about the big question, Who killed Laura Palmer?), and forget about the Twin Peaks worldview. It is not the suspense that dominates, but the mystery and the unknown, parallel to reality and the everyday exotic. This makes watching Twin Peaks in the theater a unique experience (explaining that I couldn't help but watch Walking with the Fire again after a month last year...During the period, the OST of Walking with the Fire was going to be rotten), first The ego and reality are separated by darkness, and then the ego and the mysterious realm are connected, and the perception of being restrained soon trumps logical thinking. Lynch also said that the best way to watch the twin peaks is the big screen. If you can't only have a computer, then drag the screen as close as possible to yourself.
Perhaps the biggest difference between S3 and S1, S2 and time is time, it makes us cry when Ed&Norma, Log lady, Cooper wake up and say I am the FBI, every familiar face or music is enough to make us cry People who have been addicted to Shuangfeng are in a trance for a while. It's just a span of 25 years, but 25 years later, the question of "Future or Past" was slowly read out in the Red Room. The Arm, who became a meatball branch, still added "sound like... ...", closing his eyes and listening to Lucy Bobby Shelly Audrey (they all end in y's...) even almost completely unchanged.
In fact, if selfishness wants to pick on the thorns, it may not be finished. For example, Dougie's line was too torturous and impatient at the beginning, such as I wished he was woken up by lightning (hmm... coincidence haha), and then paused and watched it several times when he saw that coffee was crazy about Cherry Pie, still thinking about Kyle's role Will Dougie be very aggrieved, but now I think Kyle is great in S3, after all, there are three identities, and they are divided into three personalities without intertwining at all, so he should enjoy it haha. And Audrey...Although "Ladys and gentlemen, Audrey's dance" appeared with an inestimable lethality index, probably countless people took the initiative to accompany this scene with the sentence "Isn't it too dreamy?", but Audrey's role was still too small. disappointed! (Although I can't guess, it will be related to Sherilyn Fenn's personal status, Mädchen has a lot of scenes and is beautiful...). Almost forgot! There is also the most mixed feeling point is! How could Diane show up! All can reproduce but not Diane! Fantasy Diane's powers are so nakedly deprived! ! And more importantly, this Diane is completely different from the gentle Diane I imagined, although there is a 25-year gap! ...well then it's a little comforting until the double Diane is revealed (. well you're Lynch and you're in the business.
But being able to see the entire 18 episodes of Twin Peaks that Lynch has personally managed is already an extravagant hope, and it must be given a long, long applause. It's not the reasons for those weird plots that are worth pondering, and I can't tell what I'm being driven by and what I'm thinking about. Mysterious stacking allows people to break free from the boring reality, lose the boring single identity, and make the brain delusions that they are approaching the cosmic truth. Maybe we want to hold on to something too dreamy and that's it, "But who is the dreamer?"
It may take a while to listen to the Twin Peaks Soundtrack for a while.
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