Barely pass. The rhythm of the two-line narrative is well controlled, and there is something new in the depiction of gangsters inside and outside the prison: the male protagonist's upgrade process within the gangster rules that incorporate the spirit of the contract. The handling of bloody scenes is also qualified. The special thing is that the male protagonist's behavior logic is always centered on protecting the family, and this logic is peeled off layer by layer, and suspense is created. There are a few scenes that are too TV series, and the letter from my son also seems deliberate.
There are a lot of familiar supporting characters, and the rhythm is too slow. In fact, the main line of the story is very clear, but really, it is too bland, and the place where the atmosphere should be rendered is not in place. The dramatic contradictions can be strengthened, including the inner line of the male protagonist and the gangster. In short, yes better.
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