Still Alice

Paris 2022-03-29 09:01:02

If one day we really have Alzheimer's disease (senile dementia), should we choose to continue living, or choose euthanasia to say goodbye to the world?

This is a question that seems like a good decision but is actually very difficult. We all say that life is precious, but when all your memories for decades are gone, when you can no longer identify everyone around you, when you can't take care of your own life, what is the value of our life left? In fact, if there is simple memory loss, such as someone who loses memory in a car accident, it seems that it is not as terrible as Alzheimer's disease, because even if you can't retrieve your memory, you can still recreate it, but they never have a chance. The most terrifying thing seems to be people's discrimination against this disease. The heroine once said, I would rather have cancer than a disease that will make you accept other people's strange eyes and lose your dignity. In this way, there are omissions in society's cognition of many diseases, such as depression, such as Alzheimer's disease.

The film uses warm tones to shoot sad stories, and the emotional changes of the characters are also presented very realistically. The different reactions of the heroine herself, the heroine's husband, and the heroine's children's emotional changes are very delicate. Although the heroine has changed from a language professor at Columbia University to what she is today, she is still very lucky. Even though the people around her initially admitted the fact that she was mentally resisting her illness, but later they treated her with the deepest love and never gave up.

In the film, there is a scene where her husband took her to eat ice cream and ordered the flavor she liked when she remembered it, and silently looked at her while she was eating. The love, pity, sadness, grief, Susu's is very sad after seeing it, probably like this.

If one day, for yourself, life has no quality to talk about, or you no longer understand what life is and who you are, this is mental torture for others, but no one wants to let go, then this kind of time is Just live like this, or do you really write a statement early and leave this world quietly?

Probably really only that sentence, Everyone has his own choice.

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Extended Reading
  • Rickey 2022-04-01 09:01:04

    This play is Aunt JM's acting personal show. She deserves it too. Aunt JM's performance always has a sense of drive that "the goal is too clear", and it lacks a natural spirituality. It goes well with this script. Twilight's problem, in the breath. When I talked to people about the "reasons for having children" when I was in Secondary 2, I seemed to say that I needed someone who knew me as if I loved me. Steady the killer.

  • Makenzie 2021-12-01 08:01:26

    The film was robbed of most of the light by Julianne Moore. It is flat and straightforward, there is no big ups and downs, more is the helplessness of the vitality slowly passing away. This is also the place to test the actors. It is necessary to grasp the nuances of the ability degradation in the process. This is exactly what Julianne Moore did best, performing almost without exaggeration (except for the collapse of the scene), but slowly Hidden the story in every action, every expression, every look.

Still Alice quotes

  • Lydia Howland: You can't use your situation to just get me to do everything you want me to do.

    Dr. Alice Howland: Why can't I?

    Lydia Howland: Because that's not fair.

    Dr. Alice Howland: I don't have to be fair. I'm your mother.

  • [last lines]

    Lydia Howland: [reading to her mother, but mostly from memory] "Night flight to San Francisco chase the moon across America. God, it's been years since I was on a plane. When we hit 35,000 feet, we'll have reached the tropopause, the great elt of calm air. As close to the ozone as I'll get, I - I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was... frightening."

    Lydia Howland: "But I saw something only I could see because of my astonishing ability to see such things. Souls were rising, from the earth far below, souls of the dead, of people who's perished from famine, from war, from the plague... And they floated up, like skydivers in reverse, limbs all akimbo, wheeling, spinning. And the souls of these departed joined hands, clasped ankles and formed a web, a great net of souls. And the souls were three-atom oxygen molecules of the stuff of ozone and the outer rim absorbed them, and was repaired. Because nothing is lost forever. In this world, there a kind of painful progress. A longing for what we've left behind, and dreaming ahead. At least I think that's so."

    Lydia Howland: [moving over alongside her mother] Hey. Did you like that. What I jest read, did you like it?

    Dr. Alice Howland: [barely grunting]

    Lydia Howland: And what... What was it about?

    Dr. Alice Howland: Love. Yeah, love.

    Lydia Howland: Yeah, it was about love.