Watching this drama, my daily action is to hold my head, and my mantra is Mom, and later it became oh jeasus. Later, it became oh jeasus, which both Walter and Jesse love to say. After all, the first season has not stopped until now.
From accidentally hearing about DZL on Japanese Twitter to watching three seasons in one breath, I always admire the screenwriter. When was the first time, in the first season, when Walter was in the basement trying to kill the, well, the drug dealer. Walter cut the sides of the toast for him, put the toast on a clean plate, and even got a beer. But before he got to him, he fainted, you know, cancer. Then I woke up and started chatting with this guy, a drug dealer, a drug maker who was going to kill him, the two were drinking beer and chatting in the basement, the dark basement, the yellow light hit Walter's face, ah It's weird to think about the picture haha, what's even more tender is that the drug dealer is the child of the owner of an old shop on a street corner, and Walter also bought a stroller in this shop, and they talked about the music played in the old shop. Well, everything is fine. When Walter got up and swept away the plate to let the drug dealer go, he found that one of the broken plates was missing. Ah oh, and then he went down and ended up with that one. I thought the plot was going to be that Walter found pieces in the corner after killing him, and found the wrong guy, but he's already killed, he's already started. so. However, the screenwriter is not so simple. First, it is pointed out that the drug dealer did take the broken plate. The camera turns to Hank to turn over the drug dealer's car, "Someone killed our informant." Wow, hold your head, oh jeasus.
A teacher told me that there are two types of characters created in film and television works, one is flat and the other is three-dimensional. Flat characters, that is, bad guys are bad guys, solid characters are not. I saw a comment in the NetEase Cloud-related hot comment that it probably said that Walter is a bad guy and Jesse is a good guy and a bad guy. This is a three-dimensional figure. Although the two of them are drug dealers, criminals, and "big bad guys" on the secular assessment book, they also show the good side of bad people. They let me see a lot of tenderness. At one point, Jesse was "scaring" the drug-addicted couple when she ran into their child, whose mother smashed her husband's head with an ATM machine because of drug addiction, in the living room. Jesse told the child after calling the police, "Blindfolded like playing hide and seek?" Then he carried the child through the living room to the door. He wrapped the child in a blanket and said softly to him as he left: "I wish you a happy rest of your life, child." All melted, he will definitely,
There are many, many more, Walter protecting Jesse in a critical situation; Jesse calls Jane's number over and over after she leaves, listening to her voice until the number is cancelled; Holding hands in front of the TV that has been searching; one is a little sad, Kang Bao knows that he is being targeted, and tells the child who is riding a bicycle beside him to quickly go away. But the kid shot him. No, it's so sad, the worst crime is teaching a child to do evil.
The screenwriter gave me a good insight into crime, criminals, and the confusion and turbidity of American politics and law. A well-known lawyer is actually a behind-the-scenes consultant for money laundering and settlement of various affairs for the gangsters. The lawyer set up a bureau to find someone to replace the drug dealer in jail, but easily deceived the police station. In fact, this group of people did not want to cause more trouble, only Hank Decided to continue the investigation, but colleagues thought that he was on the top of his head, and the original promotion opportunity was also replaced by an assistant. The most ironic thing is that the Drug Enforcement Administration is sponsored by a big drug lord, and when his drugs spread throughout the area, these drug police officers are still shaking hands with him, bowing and saying "Thank you"
It's interesting, and there are many interesting clips, such as the part of Walter fighting mosquitoes in season three, and the part of Jesse playing in the new laboratory. The fun music and fun montages make the whole work a lot more vivid. In addition, there are some great transitions. For example, the last shot was a dark blue dress on the bed. It was Jane's father who was looking for a shroud that Jane was going to wear, and decided it was a dark blue dress. One shot shows pink-clad baby Holly lying on a pink cushion, yawning heavily. One is the daughter who has just died and the other is the daughter who has just been born. This transition is filled with thousands of emotions and unspeakable emotions about the complex family relationship.
In a word, what makes the whole show great is not only the compact plot and many foreshadowing echoes, powerful transition shots, soundtrack, dark humor, and plump characters, but more valuable is the impact on social issues and human nature. Thinking, it is these thoughts that make the whole drama exude a different brilliance, which is the great charm of this drama. There are many, many more, let's not talk about it. But, one more thing, old white, you are so cool.
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