lost

Christian 2022-03-25 09:01:19

Three directors have made three works. I like the second one the most. The third one is the most long and boring. The first one is particularly good, but the second one is invincible. He not only criticized Japan's ugliness History also describes the ugliness and ugliness of Tokyo's bustling city. Shit is not a human being. It is a punishment for Japan. He was hanged in the end, but he represented a kind of power, which was generated with the prosperous background of Tokyo. It could not be eliminated, but could only be hidden and waited for the day when it broke out. The better shot of this movie is the first one. The story's cutting of women's changes, the multi-angle and multi-screen display in the second trial, and the various actions of the French actor's shit are really classic, and I especially like their language, which is really body language

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Extended Reading
  • Vincent 2022-03-28 09:01:12

    Went for the Sewer Freak and found the first story to be more interesting.

  • Agnes 2022-01-21 08:01:35

    I think the unified motif of the three stories is the Japanese mutation Yang Lao wet summed it up very smoothly: the first story about the living chair of the big change is the loss of the value of being born as a man, and the second madman is the motif of war itself. (Imagically piled up in the court, he called himself the son of a Japanese.) The third one is love awakening and disappearing Japan.