A bad review of a film that has gained a great reputation during the award season of the film festival does not appear to have poor appreciation ability and taste. On the contrary, it will make people doubt whether it has a valuable sense of independence.
"Roma" touches on three things I dislike the most: personalization, over-the-top stunts, and low density of lines.
3 minutes after the opening, "Wow! Black and white, panning, fixed camera angle, front and back are all extremely beautiful compositions, worthy of being a master!?" Then, there is no such thing, no matter how delicate objects are shaken for two hours, they will be lost Freshness, boredom. For Chinese audiences, Mexico's cultural and social environment is so different that they cannot empathize. Peugeot's superb fixed camera always reminds the audience that you are just a bystander. Perfection equals boredom, and some simple "clumsy" seem real. Speaking of which, I think of "Little Widow's Ascension to Immortals" and a friend Rouge who also loves movies, said, "It's not good to watch movies and use your existing cognitive frame. Blindly Negative", and I am desperate for this tested and established standard to be challenged! How boring it would be if the whole world did translations, symmetry, golden section, etc.
In addition, I don't think the rich Mexican boy has a down-to-earth taste for social turmoil, so the banquet bar party is restored to the truth.
BTW. Female power ≠ simply accusing "scumbags". The rumored nudity deletion was thought to be a breakthrough and exaggeration, but it turned out to be a routine operation? This kind of deletion should be surprising, it will be 9102 soon?
Speaking of "personalization" is not a black spot, you see what "Cold War" has accomplished! Just to satisfy my "selfishness/selfish desires", is it my minefield to commercialize and "money" my works?: "August", "Youth", "The Shape of Water" (two heroes in Mexico... tsk?
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