not bad

Adrien 2022-03-29 09:01:04

"Gloomy Wind"

A work that combines stream of consciousness + original avant-garde music and heavy-toned pictures. The most important feature of the original work in 1977 is not the story itself, but the rich and strong pictures and the special shocking BGM sound effects. At the same time, it is supplemented by the side view of the indifferent city. In fact, this kind of scary trick gradually disappeared in the 1990s. On the edge, the current horror film is characterized by focusing on the thunder on the ground, and gradually infiltrating the broken fright points in the layers of foreshadowing, rather than the previous sound and picture telling you that I am a horror film from the beginning. The latter is not without its benefits. It is more aesthetically pure. The overhead of the story can make the director pay more attention to the pure technical level of work. Although there are carving marks, it is very chewy. This work starts from "flat ground", and the first third is gradually getting better, and the camera scheduling and music are gradually moving closer to the original work. The later scenes have too much stream of consciousness, which loosens the story itself, but makes it different from other aspects. It matches more, and at the same time strengthens the dance line in the original work. The choreography contributes a lot to this alienating and terrifying atmosphere. The two dances after 1h47min can be called the climax of the whole film.

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Extended Reading
  • Jovanny 2022-03-23 09:02:25

    It is said that it is an adaptation, and the scope of the adaptation is quite large. Basically, a new story is told with the help of the shell of the original film. Now that a new story is told, there are naturally new themes, political metaphors, feminist ideas, and religious colors all displayed in the plot. Although there is no extensive use of color to show fear like the original work, the audio-visual language of this work is still brilliant. Especially the soundtrack adds a lot to the film. The most outstanding part of the movie may be a few dance scenes, which are crazy and have a sense of ritual. PS: The viewing process is likely to cause physical discomfort.

  • Herminio 2022-03-21 09:02:24

    Looking forward to Tom Demon's soundtrack debut // Audacious, daring, it's art! Wir brauchen Schulden und Scham aber nicht deine. Thom Yorke rules! A West Berlin myth. The little German brother was trembling by my hand and didn't dare to watch the dance. (Writing the draft and adding two sentences. The soundtracks of many other films in the past two days have deeply touched me, why the film industry's understanding of classical music was still more than a hundred years ago, and why the axe and aesthetics of popular music are not aggressive, many It seems difficult for people to understand what kind of music can be made by computers. I am afraid that other musicians would not dare to sing for this song, but TY dares, which is completely consistent with his concept of solo and exhibition in recent years. Evolving

Suspiria quotes

  • Susie Bannion: [in German, to Dr. Klemperer] We need guilt, Doctor. And shame. But not yours.

  • Miss Huller: [to Dr. Klemperer] When women tell you the truth, you don't pity them. You tell them they have delusions!