There is no one of Fage's best shootout films. Whether it is the plot, performance, or action scenes and lines, it is far more than "The True Color of Heroes", including picture art, editing, and every frame is exquisite and montage. The way, the leisurely state of Fa Ge and Li Sir sitting on the sofa with a cigarette swiped through the camera through Mei Lun and Meihuan, the confrontation with guns between the door knocks, the chatting and laughing of turning enemies into friends, and the white doves in the church under the swaying candlelight. The hazy poetry, coupled with Ye Qianwen's poignant and tactful voice, is intoxicating, which is not found in John Woo's other films. The only fly in the ointment is that the rude and savage performance of the biggest villain by Cheng Kuian is too mentally handicapped. It is better to change the person and change the way, but the flaws do not hide the good, I give full marks
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