A good director, like a good writer, presents the complexities and ambiguities of life that make it difficult to make simple judgments. This film is like a certain life intercepted from time, the truth rooted in the soil. In the process of police dispatching, whether it is the nervousness when receiving a phone call from his wife, or the silence and coldness of the subordinate when the superior speaks, or the brutal abuse of the suspect, the dragging of the colleague, the dusting of the corpse, etc. The policemen who saw it all felt deeply. Each character is concrete, three-dimensional, and multi-faceted. The idol under the lightning and the candlelight girl who appeared when the moon was dark and the wind was high and exhausted added a special color like divine revelation to this ordinary police dispatch. The stunning beauty of the girl illuminates the people in the dark, lets them see the beauty, and pulls them out of the darkness in one fell swoop. The apples that fell into the ditch are interchangeable with Kant's words of being lost in the sewers, coinciding with the failure to find the corpse and the anxiety of all the police officers who stayed up late; in the end, the sheriff picked up the huge round fruit and put it together with the corpse. After finishing the mission, I formed a question and answer with Apple. It was the first time that the prosecutor's description of height and appearance in the statement at the scene caused a similarity with himself, and the second statement before the final autopsy had a sense of substitution. The execution of the autopsy decision echoed that he should have done what he should have done. It is no longer possible to do an autopsy on the wife. The sheriff was unable to investigate the authenticity of the suspect’s statement due to the burden of his family. The forensic doctor also had many doubts about the case, but the heartache brought by the judge’s belated truth made the forensic doctor reconsider. The deceased is dead and the living He still had to live, so in the face of the shadow of the trachea in the autopsy, he chose to hide, and chose to complete the mother and son outside the window. They had already left the body of their father and threw themselves into the hustle and bustle of life that had to go on. The interpretation of these details is just a sorting out of the logic of the superficial story, and the film actually has a deep historical concern. Under the lightning, the forensic doctor faced the fear of the giant stone carving, and the village chief's statement on the current rural problems implied the worry of this ancient nation with a long history about why it is declining today. Therefore, the film is not only realistic, but also has a suitable image group, as well as historical and social care, which is very good!
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