Zhang Zhiyang
Keywords:
massacre - crazy violence - sexual disorder - Fallen: (crazy Meng)
King Father Doctor
beautiful maid Mei Tai Lin
a, skill reclassification
in 1794, in Paris, the French Revolution.
The noble Miss Lina was taken to the guillotine for sexual indulgence. Execution. The Marquis de Sade was watching from the window.
Napoleon monarchy.
The Marquis de Thad was imprisoned in a lunatic asylum for sexual perversion.
Channingdon Mental Hospital.
The laundress, Mei Delin, collects sheets from mental patients outside the prison-like horn. When receiving the sheets from the Marquis de Thad, a manuscript was hidden inside. Midellan quickly sneaked the manuscript to the fence in the backyard, and a man in black riding a black horse took the manuscript. As a result, a "lewd book" appeared on the market-"Jan of Arc in the Dust-Anonymous Works".
The title was released: "Sex Book Madman" (formerly known as "Quills" or "Quills".)
Court ministers read this obscene book in front of Emperor Napoleon. Napoleon threw the book in the fireplace and burned it in a rage, and ordered the lunatic Thad to be shot. The courtier said that this would be like Robespierre's notorious "tyrant" in history. It would be better to send a doctor to Channingdon Mental Hospital to stop him, your Majesty would not have trouble.
This doctor was Dr. Luo Gao from the Durley Hospital at the time. He treated patients with brutality and ruthlessness like an animal, but he seemed to be a full-fledged gentleman. When he heard that the messenger introduced that the young director of the Channing Deng Mental Hospital was full of ideals, he said coldly, do you know how I define ideals? The last luxury young people can boast about.
he came. Saw the dean directing the mental patient to sing.
This is a face I am familiar with, and the priest's eyes are deep and sad. The left side of the lip groove has a slight hare cleft mark, which makes his smile add extra gratitude. He reminded me of Duke Meskine in the Soviet movie "Idiot" in the 1950s. They have almost the same mentally sick eyes. He looked at the madmen singing like Christ on the cross, his conductor's hands slid flexibly to the music beat from top to bottom, his body lifted lightly, knowing that the doctor had come in, stopped the chorus, and praised the madmen for singing. Well, when he turned around, he was holding the priest's black robe with both hands in front of him, and he trot down almost happily and innocently. Ah, how could he be a doctor's opponent.
The doctor said, I'm just here to take a look, don't care too much. The dean said, you are a scientist and I am a priest, and we will cooperate very well. He asked the doctor, how could your majesty think of Channingdon? The doctor said, because you have a special lunatic who has caught your majesty’s attention, how is he doing? The dean said it was very good, and often used the way of writing to flush out the toxins in his mind. This is a good treatment. The doctor asked, can his writing be published? Of course it will not be published. The doctor took out a book from his arms and handed it to the dean... The
dean took the book to the Marquis Thaad’s room angrily, pointing out that doing so would betray his trust and endanger Channingdon’s safety. The Marquis de Thaad made a guarantee. When I met the doctor when I came out, the dean said that this kind of thing will never happen again. I always persuade and move with affection. He is not only my patient, but also my friend.
But the soul of the Marquis was no longer that of the Marquis. He bought it to the devil in order to redeem the truth that could not be concealed. He wrote another better-looking one. When Meidalene came to collect the sheets, he asked Meidalene to use the key to open the door and get it in. The Marquis said that there must be a price to take away the manuscript, one kiss for one page. Midaline wanted to use a kiss to express, the Marquis said, a strong kiss must be used. Meidalene touched her cheek with only her lips. The Marquis gave it to the last page, insisting that Medline sat on her lap. The Marquis couldn't help it anymore, and Mei Dai Lin turned around and slapped the Marquis severely, and said angrily: "There are things that can only be written, but cannot be done."
Among other handymen in the mental hospital, Mei Dai Lin sometimes also speaks of the Marquis. In the story written by them, when they said that the Marquis was a "madman" or a "murderer" while they were molesting them, Medellan said angrily: "You don't deserve to hear the story of the Marquis."
The doctor took advantage of this seemingly peaceful gap to do his own good deeds. He took in a young and beautiful orphan Sifen as his fiancée and fostered it in the monastery. Although he was old enough to be her grandfather and was over the legal age for marriage, he still wanted to take her out and bring her back to the emperor. Hide in a "golden house" for him and enjoy it slowly. This "Golden House" originally had a prominent history, and the host and noble couple were killed by the revolutionaries in the Great Revolution. Although it's a little shabby if it's been empty for a long time, it will be magnificent if the doctor pays to repair it. The herald recommended a young architect, Baosi, to be responsible for the renovation. The doctor told the architect that all the renovations were done according to the wife's wishes. Use the best materials. But the madam’s room must be sealed with iron fences. Because the lady has been living in the monastery, this rare treasure cannot be tempted by the outside world. That night, the doctor held a candle and went into his fiancee’s room. When he went to bed, he asked the monastery if he had taught sex and how the wife should please her husband. He tore Sifen’s pajamas from the back and performed it by lying on his side. First night right. This way is very consistent with the marriage of two people-behind the behavior that cannot be faced.
Soon, the doctor's marriage to an orphan was spread in the mental hospital. Midellan passed it to the Marquis. The Marquis decided to revise the play "The Happy Shoemaker", which the mental hospital regularly performed welfare performances to the society. Especially when the Marquis directed "The Happy Shoemaker", a protagonist could not enter the scene of lovemaking. He said, I am not an actor, I am a patient with indigestion.
The performance is about to begin. Many noble ladies came to the society, including the marquise's lady. Of course, the doctor and his young wife are absolutely indispensable. The dean sat next to the doctor and introduced the celebrities in the Channingdon area. A mental patient came out to stammer and report. Ladies and gentlemen, we temporarily changed the program. "The Happy Shoemaker" was changed to "The Great Crime of Love-A Farce", created by the Marquis of Thad, dedicated to Dr. Rogo With his young and beautiful wife.
The plot is exaggerated and concise. A monk drove a young girl to the doctor's house (with a wooden pole stuck in the horse's head), making a bump and saying, hurry up, there are many pleasures waiting for you there. When it was sent, the doctor gave money to the monk. The first act is over. In the second scene, the nympho, Fat Boushang moved a wide wooden board and put it on the stage. The doctor first let the girl eat a lot of good things. The girl said, I was flattered by the hospitality of my husband. The doctor said, there is a better baby I want to give you. After that, she pushed the girl down on the wooden bed with a cane. At this time, the doctor in the audience ordered his entourage to take his wife out of the theater. The doctor on the stage separated the girl's legs high, doing an entrance gesture. Then do the entry form from behind. Finally, try the girl’s mouth. At least the girl told the audience that the husband paid the money, so he needs to use every part of the body.
Mei Dai Lin was acting as a theater supervisor behind the scenes and arranged for the actors to appear on stage. When everyone smiled and noticed the weird movements on the stage before and after the scenes, the idiot Fat Bouchang quietly covered Mei Dai Lin’s mouth from behind, and raised his other hand. She picked up the dress of Mei Dai Lin, frightened Mei Dai Lin while struggling, grabbed the soldering iron on the side of the stove and pushed Buchan's profile, so that Buchan yelled and tore the curtain backstage. . The dean hurried to the stage and hugged the undecided Midline, and said to the marquis, do you really want to die together? The Marquis came out and explained that this was just acting. A lady said to the marquise in the audience, who to blame? The author, or his thoughts? The doctor stared at the stage coldly, and left the theater without a word.
The dean had to take away all the paper and pen in the marquis' room. Thad asked the dean to believe that food, sex, killing, death, and defecation are unavoidable things for human existence, and fear is useless. The Marquis came up with a good way to write on the bed sheet with chicken bones dipped in wine, and Meidalene took it out and copied it down. Unexpectedly, the blind mother of Median failed to wash the bed sheet clean, and the traces left by it were reported to the doctor by another female worker.
As the punishment escalated, the dean removed the furniture in the marquis's room and everything that could be used with paper and pen. No wine was allowed to eat, and only water was allowed. The Marquis said to the dean, the world was not made by me, I just kept records. I saw the scene of going to the guillotine. We were all queuing up to the stage, waiting for the capital punishment. The blood flowed under our feet, young man, I have seen hell, you have only read it. The dean took out a bible to the marquis, why can't you see the light in it? The Marquis spit on the Bible, saying that the Bible is the demon book and crucified his son. Coward, do you know the pursuit of new ideas, sexuality, and power?
The doctor's wife secretly bought a copy of "Jan of Arc in the Dust" on the market, and went home to replace the inner part of "Ladies' Poems" with "Jan of Arc in the Dust". She understood the teaching of the Marquis de Thaad: the power of a man comes from power, and the power of a woman comes from between the legs. Therefore, she knew what was the power that would free her from the doctor's imprisonment. She showed the book to the architect and asked the architect to teach by his words and deeds. Finally, when the house renovation was completed, the doctor’s wife Sifen decided to leave this magnificent prison with the architect Boss, had sex on the bearskin carpet in the doctor’s study, left semen on the Peruvian crystal table, and wrote a A statement signed by both Zhang and Zhang stated that if the doctor finds them, the man will cut his wrist and the woman will commit suicide to show the steadfastness of love. The doctor went home and saw the message on the door. He ran into the inner room and saw that the book that his wife read on the bed every day was "Joan of Arc". He tore the book to pieces like a frenzy.
Driven by the devil in his heart, the Marquis broke the glass, cut his fingers, dripped blood on the glass, and filled his coat and trousers with his blood. He asked Medellan to open the door and come in. Mei Delin was stunned, and the female worker who had been informed saw it. The Marquis simply ran to the table of the madman to show his new work. He spread his arms, bounced his right leg, and leaped with his left leg, jumping from the depths of the camera to the foreground, and finally fell down without support. on the table. The doctor rushed to roar and put the beast back in the cage. I didn't want to get my hands dirty. The Marquis said, yes, the first commandment of political science, the person who orders the death penalty will never do it himself.
However, the first punishment was Medline. Two wooden frames were erected on the square, and Mei Dai Lin's hands were tied to the wooden frames. A big man slapped Mei Dai Lin on the back with a whip. The dean came, grabbed the knife from the executor and cut the rope on the hand of Meidalene, took off the black robe and white shirt, and said to the doctor on the balcony, if the bleeding makes you happy, then it will be mine. Blood it. The doctor said sarcastically that there is no need to beat you, the dean, if you want to be a martyr, you must do it for God, not for the maid.
The doctor's goal has been achieved. Is there any way to persecute the dean more than to punish Medline? The dean no longer forgave the Marquis. He went to the empty room of the Marquis and asked the Marquis to take off his clothes without leaving the wig on his head. The Marquis took off his wig, covered his penis, and said, "You have also entered this game, and you will end it in the end." The dean quickly took the wig and turned and left. The Marquis said contemptuously that the humiliation of the characters in my works is not as good as mine. You have no confidence in your beliefs and dare not face me. Your God is so fragile and incompetent? shameful! The dean said, don't be complacent, you are not the antichrist in the prophecy, you are just a grievance that vents toxins.
On the other hand, the mother was applying medicine to Medline’s back injury, and the dean turned her back to her and said, knowing that you like reading pornographic novels so much, I shouldn’t teach you how to read. Midellan said that if you don't know how to be a bad woman in books, how can you be a good girl in reality. The dean looked back at Meiderline's straight profile back and prominent breasts, and said, you shouldn't stay here any longer.
At night, Meidalene couldn't fall asleep, so she quietly came to the dean's bedroom, begging the dean not to let herself go, my heart is here. The dean asked, because of the Marquis de Thad? Mei Delin desperately, "You are blinder than my mother's eyes." The dean said softly close to Mei Delin's shoulder: "Xiao Mei, there are some feelings that cannot be said in words. It will induce... induce us. …" Midellan turned around and hugged the head of the hospital and kissed passionately. The dean suddenly broke free of Medellan, no. Mei Delin said, do you hate me? The dean said, I love you, but then explained, because you are the daughter of God. Mei Delin ran out. When the dean hurried out and called for Medellan, the figure who retreated in front was the informant woman.
Midaline walked to the iron gate of the marquis, saw the naked body of the marquis in the wind gate, told the marquis that the dean wanted her to leave, and hoped that the marquis would tell her a story and keep it as a memorial. The marquis said, how to tell, write in dust in the air? At this time, the aisle conveyed outside sounds. The Marquis said secretly, tonight you hide in the storage room with pen and paper, and I want to write one last story that can make ghosts cry.
A night of wind and rain, lightning and thunder. Mei Delin prepared paper and pen in the storage room. Buchan saw that Medline was ready, and he notified Du Fang next door, Du Fang passed it to Jian Di, and Jian Di passed it to the Marquis. The Marquis began to say: "To my dear reader, I want to tell the dirtiest story in the world..." Come down. Hou Jiao went on to say: "The protagonist of the story is a prostitute named Feixiang. She is a natural stunner with the most perfect genitals..." Jian Di said when he said "the natural stunner" and forgot the next sentence. The Marquis added with emotion that the most true story needs to be performed by a lunatic, oh, let it be, maybe it will be better interpreted... The story is passed on one sentence after another, and it is passed on to the prostitute’s client doctor who was provided by the prostitute’s “full oyster”. 'When he was so crazy that he was about to use a scalpel to make another hole in the prostitute, the prostitute Feixiang screamed. The doctor drew the tongs from the fire to remove Feixiang’s tongue...The words passed on inflamed everyone. The complex of a lunatic, Buchanan, the nymphomaniac, saw in the crack of the door that Meidalene’s breast kept repeating "fullness, plumpness", while the arsonist Du Fang repeated "in the fire, in the fire", while reaching out and taking it from the hole. The lit candle next door is resting on the bed. Suddenly, the candles burned the sheets, and Du Fang yelled excitedly, fire, fire, fire...This house resembling a church, a prison, and a lunatic asylum suddenly boiled like apocalypse, and the lunatics ran out of the room, enjoying themselves. Do what you want to do. Buchamp demolished the wooden door, hugged Meidalene, saying "Pull the tongs out of the fire", and picked up the scissors placed by the table...Medieline exclaimed, the doctor was in a hurry. Hearing the noise inside, he gently opened the door and took a look, then closed it again. The Marquis heard the screams of Mei Dai Lin, screaming at Mei Dai Lin, and Jian Di screamed at Mei Dai Lin while running. The awakened Dean ran out frantically and called Mei Dai Lin... Mei Dai Lin became The cry of the doomsday-resounding in churches, prisons, lunatic asylums, resounding in the night sky of lightning, thunder, and storm...
The abbe ran into the storage room, the paper on the table was stained with blood, Buchamp retreated from the side door, covered in blood, the abbe turned around and suddenly found that the big water bucket was overflowing, the blind mother touched the bucket, and the abbe fished out of the water. Out of Maydale...
Buchan was locked up in a humanoid iron cage specially made by the doctor. The doctor told the dean that Buchan was undisciplined, unscrupulous, and immoral, but he was not to blame. He was influenced by the story and repeated the plot of the story. The doctor took out a piece of blood-stained paper and put it in front of the dean, and said, when you are judged before God, how do you interpret this paper?
The dean went down to the cellar with a torch and reprimanded the marquis for killing the innocent girl. The Marquis said indifferently that there has never been a work as effective as mine, has it? The dean asked, why don’t you sleep with her? The Marquis said that she had not been enough after countless times. The dean said, you lied, you are incompetent, you are because of love, I checked, she is still a virgin. At this time, the Marquis fell off, limp on the ground, unable to cry. "Buy her well. Buried in the church cemetery, I pay. Don't let her beautiful body, be buried with the devil here, with the dirty flesh." The dean said, finally revealing your secret, you after all Still a man. The Marquis spit on the dean's face fiercely.
The final punishment began. The dean arranged to cut off the tongue of the marquis. The Marquis shouted tearfully inside the door, and the Dean slammed against the door for the first time outside the door. Going back to the spiritual room, taking off his shirt, kneeling on the ground, whipping his back with whip and whip. When he bottled the tongue of the Marquis and brought it to the doctor, the doctor was also surprised. I never thought of doing this. Can you sleep well tonight? The dean replied indifferently, simply saying that I don't want to sleep anymore.
The priest came to the hall where Medline was parked, and knelt next to Medline, with those eyes looking sideways again. Why is there no distance between his eyebrows and eyes supported by the facade? The eyes are so deep and deep that the radiated light has a gravitational force, but it flashes a trace of dissociation, fluttering outside the ray of gaze. The abbe gently pulled down the white cloth covering Midline, revealing his still-white body. The priest's lips slowly touched the gully between the two peaks, moving up to the cheek. Midellan suddenly opened her eyes and held the priest's head in her hands, letting the priest crawl on her body, her legs hooked on the priest's buttocks, and said, "Don't drive me away." The cry of the "dean" echoed in the hall, which was called by Meiderline at the climax, and the Jesus in the hall was bleeding, flowing from the eyes to the corners of his mouth. The shouting became louder and louder, the door opened, and the management asked the dean to visit the marquis.
Inside the cellar, the walls were covered with words written by the Marquis in shit. The Marquis was unconscious in lying in the middle. The dean took the knife in the management hand and wanted to manage it. He said that he could not save the soul of the Marquis before he was alive, and he must pray to God for the Marquis when he died. After the management was gone, the dean cut the rope of the jaws and took out the scraps of cloth stuck in his mouth. The Marquis awoke, stretched out an index finger, and gestured to the wall. The priest looked at the dung words on the wall and said, Our heavenly Father, please be merciful and open the door of heaven...Everyone has goodness and shortcomings, forgive him, forgive us...The priest took the cross and hung it on the Marquis Kiss the cross on your mouth. Suddenly, the Marquis opened his eyes, opened his mouth, bit the cross, tore off the beads, swallowed it, and died of suffocation.
It was the priest's turn to collapse. He yelled wildly, and the lunatics responded one by one.
...
One year later, the new dean came. The doctor told him that the money donated every year became pitiful and became a scandal in Paris. Fortunately, we were able to produce and save ourselves, and opened a printing shop to print fine products for collectors. The patients worked methodically. The new dean suddenly discovered that what was printed was actually the work of the Marquis de Thaad. The doctor said that since the release of the Marquis de Thaad, many people are willing to collect his works at a high price, so that we can have a lot of income to support ourselves. At this time, the woman who had been the informant came in and reported the scheduled list to the doctor. The doctor took the book in her hand and told her to look at page 205, the page I folded.
The doctor took him to the ward round, and walked to the room of the original Marquis de Thad, but inside it was the dean priest. "Are you here to replace me?" If you are kind, give me parchment and pen and ink, I have seen the face of the devil, and I will continue to write the unfinished story. The doctor said that this patient was hopeless. He was violent and hurt others as well as himself. The new dean left hastily with the doctor amidst the yelling of the old dean asking for paper and pen. The abbe sat down dejectedly, the hole under the iron door was opened, and the blind mother of Meidalene handed in the bed sheet, which was wrapped in paper and pen, and then handed in ink, saying, use it well, and write her. come out.
The abbe obviously realized the feeling of the Marquis facing the paper and pen, and he began to write:
Dear reader, the following story was written by the dean. The story is bloody, the characters are degenerate, and the theme is unhealthy. To find the truth, you must know sin, so that you can fully understand life.
The dean smiled mysteriously.
End of skill. December 2, 2001
Second, the reclassification of those who interpret
1
after after Sade, after Floyd, after Lawrence, after Foucault, in short, today saw "quill", there is still a problem Standing in front of you:
Does sex degenerate people, or does it save people?
I know this question is meaningless, because every positive or negative counterexample is easily established.
Nevertheless, this question is by no means meaningless, it seems that its ignorance is always asked. Generally speaking, "sex" is always understood in the "male-female relationship" (the "male-female relationship" in the daily Chinese language refers to "sexual relationship" very accurately), and the "male-female relationship" is the "natural relationship" of people. "Natural relationship" is the natural yardstick of human's "social relationship". What is the "natural" of "natural relationship" or "unnatural or abnormal" has become the primary focus of anthropology, sociology, and pathology. problem. As a result, "sexual problems" descended into the realm of empirical science along with "sexual relations", becoming the statistical objects, normative objects or enlightenment and treatment objects of human social behavior: in addition to digitization, they are affirmations, denials, corrections, treatments, and so on.
However, our protagonist ─ "sex book madman" obviously does not belong to the realm of empirical research, that is, we can't find positive examples or counterexamples in the crowd to prove the matter. In other words, putting this question in the crowd based on experience is equivalent to nothing.
Then, it should be a matter of thought. This is a bit weird. There is nothing more incarnate than "sex", which actually belongs to the category of thought and needs to seek the rules of thought.
Sex, within the scope of "natural", is of course incarnate. It not only manifests as a process of penetration through the flesh, but as a result, it is the creation of a new flesh. In other words, the incarnation of sex makes "sex" a "kind of existence", both on the horizontal plane of space (gender) and on the vertical plane of time (reproduction). Without this incarnation, "sex" does not become "sex". Therefore, the ideological regulations on "sex" must be established from the "physical body" of sex.
Within the scope of "unnatural is abnormal", sex not only has to return to sex itself (non-reproductive), but also overcorrect, and the physical independence, fanaticism and fantasy of erotic desires appear in order to resist the institutionalization of the flesh by history and reason. . Simply put, the body demands the right of pure desire of the body, even at the cost of destroying the body and destroying existence (homosexuality)-"The body is not free, and I would rather go to hell".
Does such a "physical right" need to be saved? Is it natural legal or natural illegal?
The film puts the "body" between the dual treatments of "politics" and "theology", and completely ignores the identity of the "instructor" (Foucault) of "sexual perversion" in the sense of Marquis Thad as Marquis de Thad, or "The purpose of Thaad's poisonous writing is to corrupt the future" (Mirabe's accusation)-I mean purely visual, not preaching (the film is obviously limited to the latter. As for the former, Foucault said that non-interfering, non-interventional sexual perversion shots have not yet appeared). Therefore, we have to put aside the historical Marquis de Thaad and return to the film’s symbolic "Marquis de Thaad". Although it is unavoidable to regret, it also saves the anxiety of being crazy and out of control.
However, another kind of uncertainty is even more disturbing, and that is the problem of "physical salvation", that is, the possibility of the "spiritual" of the "physical body" that is suddenly inserted. It is caused by Christ, since Jesus is the "incarnate" of God. , "Tao"-"become" come to the "sex" of the flesh?
This question seems to have two meanings: the first one means the "sexual act" of Jesus Christ or God; the other means the "Tao"-does the "sex" in the flesh mean "spirit". Our focus is obviously on the latter, how to solve the "spirit"? If Jesus breaks off physical sex, human beings will no longer exist, how can there be salvation? Having sex cannot prevent non-reproductive sexual behavior, that is, turning sexual behavior into sexual behavior itself. How to judge that it is just "erotic desire", especially the lust of "incarnate"? In other words, the "Incarnation" of Jesus Christ's resurrection and salvation must become "spiritual" in the sexual behavior of the flesh, and the world will be saved finally, right?
The enlightenment is already there, let's see how you explain it?
Does this indicate that God created Adam and Eve for the first time in order to make up for the non-spiritual behavior of man? Is it God’s negligence, or God’s deliberate test (non-spiritual animal sex seems to be a heavy body that humans can’t get rid of)—such a choice sentence implies a certain "law of number" outside of God, but With traces of the Greek "cosmic god"-this alternative sentence is invalid.
Man cannot create man himself (asexual)-snake (sexual temptation) is inevitable (is the snake the secret will of God?); in other words, man must be created through human sexual behavior.
Humans are required to create humans, but they must be different from God’s creation of human beings (non-sexual acts) and from the reproduction of animals (animal sexual acts). Therefore, "human sexual acts" themselves must have a negative form of punishment or Take responsibility (original sin or punishment, such as the duality of reproduction, the duality of non-reproduction, etc.). "Sex" becomes the interface between "animality" and "divineness"-"humanity" is actually fundamentally maintained in the paradox of human "sex". However, where is the "degree" of human nature that is not beasts or gods? A common question.
The question is, how else can we talk about it?
It can be seen that the "Old Testament. Genesis" of Judaism presupposes the question, and the "Incarnation" of the Christian "New Testament" presupposes or reveals the intention to answer the aforementioned questions.
I tried to interpret "Quill Pen" in such a cliché presupposition. Of course I realize that it is very risky, because I can't grasp the boundary of whether "blasphemy" or "blasphemy"-"degree".
(Please allow for correction at any time. In addition, of course only within the scene set in the film.)
2
First of all, we should face up to several sets of main relationships:
One set: King (or doctor)-Thad-priest (power / sex or madness / Morality)
Group 2: Doctor-THAAD-Medellin (Power/Sex/Love)
Group 3: Priest-Mederline-THAAD (Moral God/Love/Sex)
Group 4: Buchan -THAAD-Sifen (sexuality or evil/sex/sex)
five groups: King, doctor, priest-madman-like group of gangsters (remediation/treatment; depression/provocation) The
fifth group of questions is osmotic. Everywhere. In order to avoid stimulating democracy, this article will not discuss it exclusively.
The fourth group is the education of the individual, which is a very superficial illustration of the two distinct consequences of sex.
From the orthodox point of view, the first group can be said to be a "negative" symbol of the social structure. Power seems to be the destiny that human society cannot escape. It is not a question of whether it is necessary or not at all, but a question of whether it is good or not. To be more precise, it is not a question of good or bad at all, but a question of “side revealing” of the duality of goodness: “the obvious is hidden, and the hidden is obvious". How to judge whether the use of power is good or bad, it seems that there is one of the most common phenomenological indicators that can become "currency" (except "sex", but also "currency" and "language"), that is, power has caused excessive repression and will Perversions are shown in two negative directions: "crazy" and "sex". "Crazy" itself is the point of concern for abnormalities temporarily. "Sex", how is it normal, how is it abnormal, where is the "degree" of swing?
(For example, why is it abnormal for Sifen to have sex with a doctor, and it is normal to have sex with an architect? Sifen accepts a doctor’s marriage although it is forced, but it constitutes a legal power relationship between the two parties. This power is legal in society Yes, so when it comes to the conflict between sex and legal rights, it may not be possible for one party to simply deny the other party. Note, I have already said that the metamorphosis here is neither metamorphosis in the sense of Marquis de Sade nor in the sense of pathology. Of course, we can't talk about the abnormality in the visual sense of the movie, because it does not.)
Power has caused excessive repression. When it is impossible to judge whether it is right or wrong and cannot be eliminated immediately, morality takes on the role of negative comfort or treatment, which can only be regarded as social A structural compensation. Simply judging whether it is good or bad is of no avail. Conversely, "sexual indulgence" is not a cure for sexual depression. In fact, sexual indulgence is another form of non-sublimation depression, and its damage to people is manifested by the destruction of power itself. Social sexual indulgence is manifested in the destruction of society itself, which has always been the case from the ancient "group marriage system" to today's "sexual freedom". So don't take one side as a warning. By the way, compared with "sexual indulgence", "sexual perversion" is "physical" and "sexual indulgence" is "conceptual". The former is more worthy of respect or attention than the latter. This group is not our main focus either.
Then, the selected three groups and two groups will naturally become objects to be carefully observed. They are actually a problem, that is, the secular power and morality of "sex" and "love" cannot be understood at all. How can or should "sex" and "love" be treated?
3
Let's start with the three groups. It is closer to sex itself, because sex seems to have a sense of security here.
But one must have a complete impression of the "Marquis de Thaad". From the beginning of the film, the Marquis wrote "Chastity in Dust" with a quill pen on white paper, and Medline passed the manuscript secretly to him. After the incident, the dean took away the pen and paper, and the Marquis continued to write on the bed sheet with chicken bones dipped in wine. For the second time, all the furniture and sundries that can be used for writing were collected, and the Marquis wrote on his coat with his own blood. The Marquis stripped off his clothes and wig for the third time. He was naked in the empty room, but he used his voice to transmit in the air so that the lunatics relayed it to Mederine for recording, which resulted in Mederine’s death. He also had his tongue cut off. For the fourth and last time, in the cellar, the Marquis, whose mouth was held by cloth strips and his hands locked by chains, wrote on the walls of the cellar with excrement that no one could deprive him of. In response to the "eternal accusation against Christianity" declared by Nietzsche in the last section of "The Antichrist" ("DA.62")-
"As long as there are walls, I will write on all the walls-I want to let The written letters can be seen even by blind people... I call Christianity the greatest curse, the most fundamental corruption, the greatest revenge instinct. Compared with it, no means are more vicious, more secretive, More humble and more insignificant-I call it an immortal stain on mankind." The
Marquis de Thad was a nobleman, a lunatic, and an "antichrist". He died without repentance. He bit the cross and swallowed it in his throat. Asphyxiated to death. He despised the filthy flesh of the common people, he cursed the revolutionary guillotine and the religious soul grinder, he despised women and praised sex and power as the source of happiness in life. So in terms of temperament and form, Thad is similar to Nietzsche. It's just that the weapons used are different. Nietzsche is philosophy, and Thad is sexology. Perhaps there is another difference, that is, Thad finally cherished inexplicable awe of women's "knowing but not lewd sex clean", and the unclean Nietzsche probably wouldn't.
I repeat, it doesn't matter whether the real Marquis de Thaad is like this.
I only take the "Marquis de Thaad" as specified in the film as the subject of interpretation.
4
In the cellar, why did the Marquis soften up and cry sadly when he heard that Medline was still a virgin, and unabashedly showed his love, respect and praise for Medline?
Didn't the Marquis regard women as only objects, organs and tools of sexual desire? Even not being tyrannical to women is not enough to express sexual force. On the “sex bar” that “man’s power is power, and woman’s power is between the legs”, there seems to be an internal war: either power plunders women (women have no race or nationality, Romans treat Plundering women is regarded as the same thing as plundering land. Plowing women is the same as ploughing land. The harvest is definitely one’s own), or it is women’s revenge or conquest of power. Otherwise, there is no third way to go, love. Romance is just a psychedelic for sex. This is what the Marquis wrote all the time. Sex became his abstract or conceptual "violence against violent sexual violence" and used it to maintain or support his subverted and humiliated dignity.
Now suddenly exposed the Marquis's unrecognized sense of sex and love, sex and beauty, showing how deeply he cherished it, as if that was his nature to stick to himself. But this is purely self-governing, and not worthy of the outsiders. Therefore, if the dean breaks a bit, he must not show weakness, and must cover it up forcefully. The Marquis must maintain his image of fighting-sexual violence. What's more, in the view of the Marquis, the dean has become "a horse led by a doctor" and has "joined this game."
Of course, I can completely suspect that this is the dog's tail of the "human nature" that the film itself has put on. It destroys the uncompromising image of the "sexual violence" of the Marquis de Thad; perhaps the Marquis de Thad really regrets the violence to Medlinen. , Let a clean body escape the curse of sex-is there a pure body with sexual exceptions? Damn it!
As for the priest, it's the opposite way. He knew that he loved Medlinen, because of the priesthood that made him obsessed with lust. If, when Mei Dai Lin came to the door late at night, he expressed the thought of "Heart is here" and eliminated the suspicion (to Mei Dai Lin) and jealousy (to the Marquis de Thad), if he is just as beautiful as the person is normal. The fact that Dailine has sex, no matter how clear the motive of love between the two of them is, it cannot clarify the hidden ambiguity: Maydalene wants to stay and may have the utilitarian purpose of doing sex exchanges, and it may not be discernible for Maydalene to read lewd books. Sexual desire and sexual impulse, the priest himself can not escape the adhesion of the two, perhaps really disliked the resentment of Medline's adultery and raging, especially it will prove to cause the third eye in the dark (Marquis ) Sneer triumphantly, wait. Of course, all this could not be a process of discerning and choosing at that time, but only as a reflection of theology—"You are the daughter of the Father"—observing the precepts of sex. But why did she complete the sexual act on the body of Mei Delin in the mourning hall? (Note that this flesh is not dead and cannot be understood as an illusion. In fact, the flesh is alive and resurrected. It shows the theological limits of sexuality. Come back here later.) In
other words, what makes it. The priest broke his lust? It is very strange that there is one thing that is most important to the priest and the marquis: the virgin body of Mei Delin, or in other words, the cleanliness of nature. One more commandment for priests: death. Medline died, and all doubts and worries about being alive were relieved, especially the reality of the priesthood promise, including the priest's dream of seeing through the world and the priesthood-"I don't want to sleep anymore"-admitting to me The recognition and demand of beauty, love, and sex in short. Except for this, the priest has nothing.
The priest’s sexual behavior, in addition to the above-mentioned relief, must be completed after one thing, that is, cut off the tongue of the marquis. Not in the sense of punishment, but in the sense that another priest must be complicit with it: the virgin body of Midaline ended the motive and purpose of the Marquis de Thad’s "sex book", and the marquis would again focus on it as it is. The dirty and provocative writing of sex has at least lost its absolute meaning, so it may become a dirty book purely stimulating sexual desire, so the marquis-style writing behavior should be stopped (just as a white crow makes "the world as black as a crow" is common The proposition is invalid); another way of writing, that is, “to find the truth, you must know sin”, can only be completed by the priest; however, the consensus between the priest and the marquis—because of the clean nature of love, it must be hidden. In other words, they must remain silent on this in a complicity manner.
I don’t understand, what does the third level mean? It's not that I have to write it like this and ask it knowingly. I really don't know, but I just noticed the ending of "Quill Pen", that is, why is the dean going crazy? Is it just because the marquis refused the priest’s prayer and refused to enter heaven? If the priest cannot complete the salvation of the marquis' soul before the marquis is dying, the priest cannot finally determine the identity of his priest and save his soul. In other words, the priest had actually committed the same sin with the Marquis, and the Marquis refused to enter the gate of God, and he could not enter the gate of God himself. Don’t priests have sex because of love? Why should he be punished by himself for ruining the cleanliness of Maydalene for sex?
5
Mei Tai Lin "sex" in disguise. She is beautiful and sexy, and even idiots think of her. What's more, she is not the kind of depressive and dignified lady type, but a sexy woman who shows sexual desire in her mind and is actually sexually provocative. So it’s very strange, that being the case, in such a sex book that exposes sexual stimulation and even promotes sexual violence, why should we keep the sexual purity of Mei Delin’s body, that is to say, it is fornication and not fornication, or to be more precise, Knowing adultery leads to adultery but not contaminating, why?
This is not a question of whether it is true or not. Medellan is not only different from the nuns of Diderot-"They may be virgins, but they are never chaste", and also different from Dostoevsky's chaste women who maintain their spiritual love during fornication. ──"They are by no means virgins, but they may be chaste." We have to assume or accept the truth of Mei Delin, among other things.
You see, Medellan was forced by her blind mother to read the new sex book written by the Marquis on the bed sheet with wine. It was written about a sexual pervert who likes tomb-robbing corpses. When reading the corpse, the skeleton of the seventy old woman moved away, and Mei Dai Lin learned the tone of a pervert and said: "Really enjoyable."-Listen to Mei Dai Lin's laughter! Is it lustful laughter that stimulates lust? Or is it smiling curiously or even giggly withdrawing away? Anyone who has experience knows that this is the laughter that almost any rural woman in China would laugh when listening to "Mutual Stories". Even when the ethics and education were strict, a couplet was popular among the people: "All evils are the head, no matter what the heart is, no one is perfect in the old and the present; the first is filial piety, no matter what the heart is, there is no filial son in front of the bed." There is nothing outside China and foreign countries.
"Sex" has become knowledgeable today. It is a big truth. Is there anything wrong with being clean and unclean? But at the time, we had to use it to test the chastity of a woman. In this sense, Middale's heart is unclean. But Mei Dai Lin strictly guards her sexual cleanliness. In her words: "Some things can only be written and cannot be done", "If you can't be a bad woman in the book, how can you be a good girl in reality". Does this confirm what the priest said "to seek the truth, one must know sin"?
Simply put, shouldn't people know "what is sex"? Who can say that he knows "sex"-"it's not that way"-a Chinese-style "smart taste".
These are all superficial facts, even a little preaching. The question lies deep in the superficial: Why did the semi-clean Medline save the Marquis without the priest’s prayer, and in turn, can make the priest fall, and Jesus’ eyes bleed with blood?
6
At least the Marquis has seen one exception, Mei Dai Lin, who can "sensual-sex" and "knowledge-sex" outside the physical body without "body-sex". With it, there is sexual contemplation. Taking a step back, even "body-sex" does not need "kinky-sex". In other words, the kind of "lewdness" written by the Marquis is only a form or quality of "sex", not the only one of "sex." Not everyone can experience sexual fortune or must experience sexual fortune. Most people only experience "sexual interaction" within the range of general "sexual intercourse". A small number of people who have "sex". A person who perceives sex like Mei Dai Lin is the "sex soul", if not the "spirit". "Sexual soul" not only constitutes the imagination of sex, but also extends the surprise of sex. With other sex, it will not become normal and degenerate into impotence. It is not ruled out that "fornication" is a capable person, but it is in the concept of "sexuality". As for the alternative heresy, the so-called sexual perverts in sexual behavior may always be the boundary state of human sexual existence, expanding human sexual imagination and sexual surprise. You can choose not to indicate the freedom of will, but you cannot deny it. Existence, it is the limit of sexual existence being driven by sex, which not only shows the imagination of sex, but also highlights the persistence of love.
In short, there may be various reasons for intellectual but not
sexual desire , which can be summarized as above: "sexuality", "contemptuousness", "sexual harmony", "sexuality", "sexual spirit", "sexuality" and so on.
──Think of them as "sexual grades."
But there is a reason that is the most normal concern about sex and can rise, and it is not regarded as sensuality and other sex, it is "love." (The distinction of "love" itself is not within the purport of this article.)
In the sense of common sense, Middalene must be pure because of loving the dean. It can dedicate her life to the dean, but she will never be in a relationship with the marquis. Dirty, although it can feel the lewdness in the Marquis sex book. If she slept with the Marquis, Medlinen would not be Meiderline, but the "woman" described by the Marquis—just a "sexual organ" and "sexual tool". Therefore, the Marquis finally asked the dean to "cleanly bury" Mei Delin. He thinks this is the place where Meidalene should go. Does the Marquis know the "who belongs to" Medaline? Of course he knew that he shouldn't have been ignorant of the "rejection" and "attachment" of Meiderline. Therefore, he called the dean a "gutless man". At first, he might be provocative and agitated, but later he was contemptuous and resentful. Neither is jealous. In the Marquis's sex book, sex is playable without being jealous. The sex scenes of two men and one woman have appeared in the film (the only time). But what the Marquis finally recognized was "love and clean body" which is higher than "sexual obscenity".
The three main secular stages of "sexual obscenity", "sexual love", and "love sex and clean the body" have become the salvation way of writing sex books with a quill pen. What about the so-called "purity" who is totally ignorant of sex? It does not exist at all, or is a false or unformed existence, such as Sifen in the monastery. She must be excessive to "sexuality" or "sexuality" to become a sexual existence. The sexual behavior of Sifen and the architect is tentatively classified as a performance of "sex". The highest sexual being in the secularization of Christianity is the one who "sex and cleans the body", that is, Mei Delin.
The Marquis wrote so many lewd books, but as soon as he met Medellan, he was rescued. As Jesus said: "Blessed are the guilty." The innocent person, such as the dean, may not be blessed. On the contrary, the highest priest may be sinful, such as the priest. He cleans his body by observing the precepts of sex, and breaking the precepts degrades into "sexuality" or "sexual obscenity."
Why did Jesus bleed in his eyes when the priest broke the precept and had sex with Medellan? Probably one is because Christians cannot keep the precepts of sex, and more importantly, it symbolizes or implies the defilement of the "love and cleansing" by Christians. This is a bidirectional sexual act. From a strictly Christian perspective, it is important to know that "the one who loves sex and cleans the body" was originally the image of the Virgin. The Virgin was cleaned and conceived with the spirit of God, so there was Christ. It can be seen that "love" is "loving one", and "love and clean body" is the highest "spirit". The "sex" of "divine nature" is "spirit", if one does not understand the purely secular "attributes" and "characters". Without the former, one cannot understand and forgive humanity; without the latter, one cannot measure humanity in spirituality, which are the polarities of sex. "The incarnation of the Word" is accomplished by "cleaning the body with love." In this sense, as long as Christians defile the "love and cleansing", they will inevitably fade away from their Christian identity and become humane.
From the perspective of human nature, what it accomplishes is the "sex" that human nature should have, but the priest is a special kind of high "sex." It may directly be the "spiritual spirit" given to humanity by the "love and clean body"-love means death, or resurrection from death in love, or love to live forever in death. In the human world, I am afraid that only a few people are sensitive to it and experience it. They are sexual tragedies.
The priest and the marquis are the best of "sex" because of the beauty of Mei Lien.
7
Dr. Luo Gao plays the therapeutic function of "political power" and "discourse power" here. The physical treatment in real medicine is only used as a signifier. In fact, there is no such meaning in the film, so that "Doctor Luo Gao" is just a pure "doctor" concept. Because of this, it may potentially direct its audience to a vision beyond the "doctor", but it also needs to seek relevance in the context of the "doctor". So, it's not that I want to do it, but I have to do it-take the following path.
First of all, Dr. Luo Gao has a basic treatment theory: "Treat the patient like treat an animal." It has two meanings: one layer means that every patient is an inferior person, so-called "a fool is a patient"; the other layer means that every patient is a deviant intellectual, so-called "homo sapiens is a patient". The latter is more terrifying than the former because the latter is trumpeting the truth, that is, revealing the natural and true nature of the former, making doctors and their treatments wrong or superfluous. Such "Homo sapiens" suffer from "enlightenment disease or subversion disease". In this sense, the relationship between the doctor and the patient is actually the relationship between the ruler and the ruled. Then, healing is domination, and healing is domination. In the eyes of the ruler, the ruled are patients who need treatment. The reason for its rule or treatment is the rule of rule according to the need of rule, but it must be manifested as the pathological cause of the ruled. Only in this way can the ruler’s desire to exercise power subjectively be transformed into the ruled’s lack of reason (the cause of disease) and the ruler’s rule, that is, treatment (pathology). Thus, "treatment" became "manifest" and "domination" became "hidden language."
But Dr. Luo Gao corrupted the "art of medical treatment." In the positive sense of political philosophy, the ruler or philosopher actually also assumes the "function of therapy", because "ruling" and "education" are actually "therapy." That's what Plato's "Utopia" said. People who are stupid by nature need to be guided to lead a normal life like patients. This is the natural rightful power that natural difference confers, namely justice.
It can be seen that the problem is not that rule is ruled, nor is it the natural difference between superior wisdom and stupidity, but what is good rule and bad rule, that is, what is the standard of good or bad for rulers and philosophers?
Is Dr. Luo Gao okay? Is the dean okay? The Marquis of the Wise is also vying for the right to rule. Is it okay if he really becomes the ruler? This is the subtle question of "Quie Fei Pen", which lies in the treatment and anti-treatment of "power" to "sexual enlightenment" (Marquis), to "morality" (President), and to "love" (Meideline) Relationship.
Doctors need pure wives or healthy people (obedience). Other factors are not mentioned. It is difficult for doctors to do what they want only in terms of natural differences. He is much older than Sifen. For this alone, natural justice is not enough for Sifen to establish a purely obedient sexual relationship with the doctor. It must be forced and imprisoned. Therefore, the sexual relationship becomes a sex prison. (Including disharmony in sexual behavior, not to mention extreme or extreme sexual imagination). Of course, there is no one or the other between coercion and prison, there will be many intermediate links, but no matter how many, the pathological state of incoordination always exists. The trouble is that the doctor as a ruler cannot see his own pathology. On the contrary, he habitually or self-deceptionally projects his pathology onto the object's pathology and even causes a double illusion. For example, it is impossible for a doctor to think that the sexual relationship between Sifen and the architect is natural and justified natural sex based on the natural law of the Marriage Law, and adjust it. He can only convict them of sinful adultery, and he must be brought to justice and soon afterwards. In addition to personal grievances, the more important reason is to purge social customs and establish a social legal system. Yes, we are all looking for their own sexual partners like this. Isn't the society messy? However, as a power representative, has the doctor first thought about whether it is natural and legitimate for him to use his power to purchase the legality of sexual behavior?
Therefore, there will naturally be a question raised here: When the political philosopher in the ideal country treats the condition of the inferior, is he aware of his condition? Probably not, because according to the "idea" of philosophers, Plato completely ruled out the possibility of philosophers getting sick. In other words, philosophers who can get sick are not philosophers and are not worthy of being philosophers. A philosopher is the smartest person, that is, the healthiest person. Plato transformed Socrates. Socrates’ wisdom is self-knowledge and ignorance. Plato's Socrates is the smartest man himself. In other words, Plato's political philosophy blocked Socrates' "question of ignorance" about Plato's Socrates. Plato was already unconscious, Plato's Socrates fell into the "Socrates Paradox", just like Russell's "Barber's Paradox" later.
The doctor also has another object who can pass on the crime. Sifen's adultery is the result, because it is in the sex book of the Marquis. From the doctor's point of view, the relationship between Marquis and Sifen is like the relationship between Enlightenment intellectuals and the people. The so-called enlightenment is deviance, rebellion, and subversion, which fundamentally endanger the rule of doctors and the normal order of society.
Are Marquis or Enlightenment intellectuals sick? There are also, in the sexual knowledge enlightened by enlightenment. Since social power has caused universal sexual repression, the sexual knowledge enlightened by enlightenment is regulated by sexual repression, that is, negative regulation is sexual indulgence. Since sexual repression is false, sexual indulgence is true-binary logic takes effect. Sexual indulgence establishes its own authenticity in two directions. One is subverting sexual morality. All sexual morality stipulated by the ruling power is false. On the contrary, it is necessary to use the Buddha's head to promote sexual indulgence to be true. From this, the other is subversive performance. Marquis’s sex book uses the most dirty language and images to describe sexual behavior. It is almost not dirty and not revealing enough to express sexual truth. It completely confuses (in fact, it is impossible to think of) sexual behavior. Multiple boundaries are multiple distinctions. Without releasing the sexual indulgence in the sexual repression bottle, how can one know what the indulgence sexual behavior is like?
What does the presence of Medline mean to doctors? At least Medline is a blind spot in the doctor’s eyes. Although the doctor requires sexual health and purity, this purity is like pure sunlight and can’t see anything-it creates a double occlusion: sunlight not only shields the darkness, especially the ability of sunlight. Darkness-"light blindness". The imprisoned sexual purity not only conceals the sexual reality in the superficial, but also hides the sexual spirit or spirit of the sexual purity in the superficial. There was a saying in ancient China that "prevention of the mouth is like preventing the river", but doctors are "preventing like flood prevention"-probably because the enlightenment is always overwhelming. Both must fall at the same time. Mei Delin is a sex holder and extraditioner.
There is a very enlightening question. At first, Medellan was a blind spot shared by the marquis, priest, and doctor (that is, enlightenment, morality, and rule). Later, why the priest was able to reflect on his blind spot, and the doctor is the rule of healing Power can't reflect on it? Why does it lag forever?
Medellan does not operate there in the way of knowledge, but in the way of the incarnation, like the spirit running on the water. In addition to guiding the priests and marquis, Mei Dailine should have been the mentor of the doctor, that is, the philosopher of the ruler. It inquired and guided the three of them in an ignorant way. However, she was beaten by doctors, seduced by enlighteners, expelled by priests, and finally killed by hooligans. Perhaps this is exactly the way they all need her:
doctors can only feel sexual pleasure in the abuse of power;
enlightened people can only feel the sexual spirit in enlightenment and temptation;
The priest can only feel the fascination of the soul turning away and resurrecting in the escape; the
fool can only bear the body without the soul.
So the result is that only the doctor and the patient remain-the normal order of rule and being ruled, the rigid sexual feeling, both of which eat the flesh and blood of the victim, and only the spirit is wandering outside.
Didn't the doctor openly predetermine and purchase the sex act of the informer? The whistleblower once angrily cursed Medellan of “putting the devil out, it’s all bad for her”, but now she is betraying Marquis Thad’s sex books and providing them to Dr. Luo Gao for sexual supplements. Sexual transactions under this power are always reasonable and legal.
As I said, the real Marquis de Thaad and real historical events temporarily stay out of sight. For example, the prison-style confinement of mad patients until the eighteenth century was still based on political considerations, that is, in order to witness or defend the necessity and rationality of the absolute authoritarian power of the state, charitable funds drawn out of the circulation process were used as unproductive consumption payments. Later, it turned into a purely economic behavior. As Dr. Luo Gao said, letting mad patients participate in labor not only supports themselves, but also fattenes some of the managers of government functions such as Dr. Luo Gao. It is not a political or moral factor at all. Push, but philosophers, economists and later politicians finally realized that "property, labor, and poverty are the poor" as an indivisible unity of the prosperity of a country. I agree that such historical facts only treat them as silent stages, in order to let the performance on stage speak its own sound.
8.
Sex, the bottom and the highest of desire, the most universal "currency" of mankind, acts as the real master in the era of "technology-desire-popularization-relativism"-"holding and extradition".
However, sex has become technical and popular, and everything is open to the senses, just like the sexual relationship between a doctor and an informer, and the sex business between a doctor and a patient.
The Marquis de Thaad did not die because he lost the subversive function of enlightenment. No one was afraid of him anymore, and the doctors were not afraid of him. Instead, he became a partner in the doctor's sex business.
It is still the priest who is mad, and the one who
died but did not resurrect is Medline.
Reading "Quill Pen" today, it is always a bit like their
"eulogy and funeral":
black—
showing the soul of the public—
a long line of mourners from the funeral home—
we are all holding funerals
(Pod Lyle)
(December 17, 2001. 21:15. S2. The second "A Clockwork Orange")
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