Uncle An Li Shan has met by chance these days, let me watch this one. From the first second of the film, the scene has its own impact effect, and the sudden and unobstructed physical magnanimity. Surprisingly, it reminds me of another masterpiece "The Wild Rose of Paris" that I have seen before. The routine is exactly the same. Undoubtedly, this is a very bold and enthusiastic erotic film. The inking about sex in it can be called a huge long-form (according to statistics, it can be half an hour after a few games). Single-port, group-port, double-flying, group-flying, and human-flying), the venue is not limited to various tricks, and there is a real sense of naked shooting (the film is shot in 3D). This exaggerated scale has reached a level that has been rare in the past decade (the hot "Under Her Lips", "The Life of Adele," and "Shame" all stand aside, and only "Nine Songs" of the same level ), I won’t describe it in detail here, after all, this is not an Ivy movie. What I want to say is, besides the lively sex, what else did I see in the movie? The most notable is the excellent audio-visual language and wonderful color matching. I have always felt that red is the most complex and multi-meaning color among colors. From light to dark, each layer of red has its unique charm. From the transparent and tender red that represents the new life, the dreamy ambiguous pink of the girl's fairy tale, the shy and bright crimson in the youth, the dazzling orange that glows vigorously in the youth, to the graceful and luxurious red in the middle age. Red is full of romance and passion, the color of power and ambition. At a glance, the red beauty of the mountains is the return of life to time, the proof of the harvest season, and a moment of excitement. Red is also a very enchanting color, especially when it is so deep that it has begun to seep into the dark red. This red, which is gradually being shrouded in darkness, is quite provocative on some occasions. It is not as aggressive as the red, but it is unforgettable. It is a mature and unfathomable pronoun. Hidden in it, there are unknown fears, breath of death, sexual charm, and a huge sense of mystery, which is the final endorsement of color. Director Gaspar Nou’s masterpiece is the famous "Irrevocable". Fortunately, the shaky scenes, which were so cruel and distracting, were not staged again this time. He inherited the excellent color matching style in his works, and used the colors to the extreme. The lighting and tones of each scene were carefully arranged. The mood of the protagonist is perfectly blended with the bright background color, the surrounding frequent changes in light and shade and color, just the right set off, the protagonist’s eyebrow contours, and the joys, sorrows and joys of the characters are fully collected. Closely attached, sometimes deep, sometimes bright, sometimes fuzzy, It was like an aura radiating from him continuously. There were a lot of back-walking follow-ups on the way of the movie. Originally, this kind of scenes that used dialogue to advance the plot were shot from the front or the side, and the scenes where the male and female protagonists' facial expressions were not visible would appear monotonous and dull. But the audience can intuitively feel their emotions in the hues of light and dark, soft, and violent along the way, just like looking at the attributes of the characters in the game. It can be distinguished whether what is happening in the conversation is the tenderness of love, or the arguing, intensifying storms. The most widely used color system in the movie is the alternating contrast of red, black and yellow, with egg yolk and light green occasionally interspersed. When only the latter two colors appear, the picture is simple and peaceful, and the hero is experiencing a smooth relationship or life. But often a discordant blush will slowly diffuse from a certain corner. It can be the overwhelming guest of a table lamp, it can be the blood on the poster, reminding the current spring, reminding the uneasy commotion. It can also be a red and white plaid shirt worn by the male protagonist, staring at the female on the right, eroding this simplicity. On the contrary, when the male protagonist is wearing light-colored clothes, the female plays the role of hunter, which makes the man feel pressured and embarrassed. When the three or everyone on the screen appeared in dark, red, dark green and other dark clothes, the atmosphere was heavy and the dialogue became embarrassing. If it is a sexual scene, it means that confusion and madness are happening. Having talked so much, what is the main content of the story? The answer to the question has been given, it is "Love". The hero's understanding of love is sex. There is no dispute between couples that cannot be resolved by sex. Once it’s not enough, then twice, if it’s not two times, then change people and places for drugs that add to the fun. At first, he really used this trick to get mixed up, and the scenes of bedside fights between couples and bedsides took turns. However, Cheng Ye Xiao He and Xiao He defeated Xiao He. In an accident, the neighbor of Lu Shuaiyuan was pregnant with his child. He could only marry her and break up with his girlfriend. Since then, there has been no news from the two of them. Two years later, a phone call from the mother of his ex-girlfriend reminded him of these crazy past events. Compared to two years ago, he is now bloated, with a haggard face, and the light in his eyes faded. Maybe he has become a husband who is safe and self-sacrificing, and his wife keeps this worldly stability, but it is obvious that this marriage is unpleasant for him. The emptiness and loneliness hit, and the embrace of the child in the bathtub made him cry. He had to swallow the consequences of promiscuity, and lost a soul mate who was highly compatible with body and soul, and regretted it. It's such a flat story, but literary films are often not the story itself. It may not be rigorous, but There can be no strong conflicts, and sometimes even as incomplete as life, many people have lost the news for many things, and there is no follow-up. It focuses on how to express the story. The director's frequent editing of the film caused a deliberate incoherent pause, which can be clearly felt in the movie. From time to time, the black screen is short. It is like a flaw, a montage, but also like human memories and thoughts. Jumping and half-way jams also occur from time to time. Like the orange illuminator floating above the head, it is dim and bright, creaking as the mood fluctuates.
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