Do you know what right is

Paolo 2021-12-23 08:01:33

I've seen other movies starring the male lead. In this show, the acting skills are still online. The death of the leading male lead master. If there is no support from the leading male acting skills, then this series is based on the death of the benefactor who adopted four orphans. The story lacks a little emotional foundation. The male lead’s tension with the master’s negotiation scene, the panic when he saw Master’s injury, and the sadness and care after Master’s death, all reflect the importance of this person to the male lead. Emotions rendered the entire film involuntarily, and the audience also developed empathy for this matter.

But the next thing is extremely real. Not everyone is as grateful as the male lead, and not everyone is as careless as the male lead. The partners around him have their own families to support their families and take revenge. It is important, but his family is also important. Naturally, the important task can only be handed over to the male lead, who is alone and can work hard to find clues to the truth.

There are few detective plots that can solve the mystery at a slow pace and find clues but are not boring. Obviously this film did it. The male lead's acting skills have made me always willing to focus on him, from the bar to the residential area. From looking through the documents to taking photos, the male protagonist has been advancing toward his goal consistent with his words and deeds, and this goal is also empathized by our audience, plus inadvertently revealing the male protagonist’s professionalism as a detective Ability, skill, and eloquence, so that even the long process allows us to see the hope of successfully solving the case, and have trust in the male protagonist.

Although the BGM in the play is "inconspicuous" pure music, people will not care too much about its existence, but it really affects the atmosphere of the film's plot and highlights the emotions that need to be expressed at the time. From weak to strong, then from strong to weak, it is enough to immerse you in it.

What makes me dissatisfied is that the ending ended too hastily. I feel that many things have not been explained. I want the story to be more complete and the intention to be clearer, although the current situation does not prevent it from telling the process very well.

The plot is not only the reality that the four brothers have caused various problems due to the death of the master, but the bureaucratic circle of fish and dragons is also particularly real, forming their own genres, focusing on self-interest, using the power of the law, and unscrupulously exercising their own Right, stepped heavily on ordinary civilians, used to achieve their own "idealism, or to achieve their own enthusiasm, these are just methods used by bureaucrats. After all, the bureaucrats in the play said: "If I want to, You can enter a hotel at any time to have a relationship with the waiter there. "

So, do you know what right is?

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Extended Reading
  • Earnestine 2021-12-23 08:01:33

    Norton’s film has gone through a long time from its establishment to its completion. I have to say that this story is a bit out of date. The main line of suspense has lost its driving force to attract the audience due to the slow pace. If it is reduced to less than two hours It will be much more compact. In addition, the film’s narrative method is too old-school and classical. You can see the texture, gray tones and melodious jazz that Norton pursues in Old New York. Perhaps these elements would be more appropriate to make a literary film. See Norton. Acting weirdo is still very nostalgic, and it's also a masterpiece.

  • Clyde 2022-04-23 07:02:48

    I think it may be pedantic (no other meaning), and the film is just like this. I fell asleep in the middle, and I seem to understand it. I just gave the sentence "It's not my father and my uncle, but my uncle and my father". I'm in a hole. Can you stop playing ethical jokes! (kneel

Motherless Brooklyn quotes

  • [first lines]

    Lionel Essrog: [narrating] Frank always used to say, "Tell your story walkin', pal." He was more philosophical than your average gumshoe, but he liked to do his talkin' on the move, so here's how it all went down. I got somethin' wrong with my head. That's the first thing to know.

    Lionel Essrog: [real life] If!

    Lionel Essrog: [narrating] It's like having glass in the brain. I can't stop pickin' things apart... twistin' 'em around, reassembling 'em. Words and sounds, especially. It's like an itch that has to be scratched.

    Gilbert Coney: [about a sweater snag] Quit pullin' at it! You're gonna make a fuckin' mess out of things.

    Lionel Essrog: [real life] I got threads in my heads. I got threads in my heads! I got threads in my heads, man!

    Lionel Essrog: [narrating] And I twitch a lot. It's hard to miss. It makes me look like a goddamn spastic, but if I try to hold it back, it just makes it worse.

  • Frank Minna: [grimacing] Got through Guadalcanal without a scratch, and I get shot with my own gun - in Queens!