I thought it was a fan of Diablo torture, but the result was only sensational on the surface, and there was no sense of sensationalism on the surface, and it was even more contrasting and embarrassing to sell cute, so the first impression was not very good. I thought it was an inspirational growth enthusiasm, but the result was just to burn, the protagonist shouting awkwardly and the skill name setting that appeared out of thin air is really confusing.
On the whole, scripts are younger, and animation production aside, they are just fast-food works, and all aspects seem too simple. There seem to be many elements to choose: doomsday, blood, healing, nonsensical... and each element fails to go deep. The world view is not as grand as Death, Hokage, etc. The emotional shaping of the characters in the doomsday setting is not as delicate as that of ghouls, giants, parasitic beasts, etc. Since there is no improvement in comparison with other people’s rotten themes, it is far less than that. It's a pity to have excellent painting and music.
In the final analysis, Gui Mie is still taking the cool line, and I am not in the scope of its audience. In my opinion, the so-called 19 episodes of Conferred Gods only enlarged the contrast between the excellent production and the pale script. The setting of "Remembering my father suddenly unlocked new skills" caught me off guard. Such an embarrassing explanation would be better than simply. Learn from Kirito Ichigo, if you are a hanger, why do you want to cover it up, how good is it for us to be civilized?
In my opinion, a good animation should choose fewer elements to make a more profound and full work, rather than stacking elements to make a superficial and pale work.
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Decided to add it after reading the comment area
Starting from the first episode, this series has been leading us to think:
1. The male protagonist's talent is no different from ordinary people, but he has become stronger because of his continuous efforts. This is inspirational fan.
2. The male protagonist's family was killed and his sister turned into a ghost. Finally, she met an expert and took the life of the family and embarked on the road to destroying ghosts. This is a deep passion.
The results of it?
Let’s talk about episode 19. Recalling my dad, my dad is not a ghost killer, but just danced for a while. Why can you suddenly get new skills? why? Since your setting is Motivational Fan, you can't open it in the same way as Kirito Ichigo. I have nothing to say when others are born to hang up, but why do you hang up from nothing?
Other animations are open like this because the male protagonist has a setting, or his talent is different from that of ordinary people, or his family has a background. But Tanjirou, I wonder if you clearly don't have this setting. A month ago, you were still deep in the mountains practicing cutting big rocks, and you kept saying that "the only thing you can do is to work harder than others." Why is it so easy to unlock a skill suddenly? ? ?
In addition, when did the male protagonist's water attribute skills be practiced, I haven't explained it yet. What are the water and thunder? What is the specific difference between one to ten styles? There are so many settings except for the different names, and the author does not see any deeper explanations for these settings. Doesn't this kind of move be able to compile dozens of elements against the periodic table... Even once the hero is almost dead It can turn into fire, and the younger sister can have an epiphany of blood ghosts when she is about to die. The special effects can still be so good, why? If you can’t beat it, you will throw out the new settings. Do you know what "foregrounding" is?
If it weren't for 19 episodes, I might have scored higher for this episode.
In addition, I have always felt that the male protagonist whose family was killed and his sister turned into a ghost shouldn't have such a character at all. Sunshine is cheerful and talkative, likes to fight while talking. I can understand a little bit. Maybe the male protagonist has a strong heart. But suddenly the reverse switch to Sha Diao Fan's amusing operation shattered all the feelings that I had finally brewed. Under the same setting, the male lead in the parasitic beast was only killed by his mother, but the whole family has not been killed yet. What is the character change and growth of others? Just a little bit of comparison, you know what is true.
To summarize:
The atmosphere is handled too poorly, the heavy atmosphere and the sand sculpture atmosphere are awkward to change; the script logic is not rigorous, and the author is set to equate "burning" and "screaming skills" recklessly, always seeking to optimize the audience's perception on the surface, lacking Foreshadowing and narrative logic. As a result, the overall characterization is distorted, and it makes people feel no sense of substitution.
Therefore, to correct it, the main reason is not that there are too many failures in this fan. It should be said that the script writers wanted to please audiences with different preferences, so they selected so many elements at the same time. From these elements, it is not difficult to see the shadow of the works that have been popular. However, because the script is too low-level, these elements are abruptly connected to each other, and no element is deeply molded as the main body, which gives people a young and pale impression. In addition, it is precisely because of the whole heart that only wanted to please the public, the energy of the production team during the comics was also spent on the painting and music, and the attention to the script itself was close to zero, and the original script was not revised. That's why I said that Gui Mie is a cool text. This work was destined not to exist for the purpose of becoming a work of film and television art from the very beginning.
Obviously, as a commercial work, Gui Mie was successful. Facts have proved that between the painting and the script, the audience's tolerance for painting is far less than the audience's tolerance for the script. It is rare to see works that are still welcome when the painting is broken, and the script is bad but it can be easily touted to the altar.
Of course, Guimie is still being updated, and it does not rule out subsequent filling of holes or the emergence of new bright spots. If it does, consider modifying it.
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Answer questions about the male protagonist’s family background uniformly
According to the original manga, Tanjirou's father is an ordinary person. In the film's transitional scene, the only person who has defeated Wu Miere is only the person with the same earrings, and has nothing to do with Tanjirou's father. In the follow-up description of the manga, the male protagonist seems to be of the descent of Youzhu. It is said that his father had taught the male Lord’s day breathing method before that allowed Tanjirou to hang on. Let’s not say whether this explanation is reasonable or not. The animation obviously cut corners. What I saw was just "remembering his dad danced and suddenly realized a new skill". The first time I saw it, I looked really stunned. (Since some people are holding on to this point, I'll just say it so that no one can understand it again. The original discussion is not whether Tanjirou has a reason to open it, but whether the plot is sufficient.)
It is not known whether the animation will fill in the hole or not, but even so, it is still not explained where the younger sister's blood ghost technique comes from. Ok, even if the siblings’ tricks are all realized by themselves, is the setting of the name of your skill also realized by yourself? I really don't know how to face this scene to have a sense of substitution, even advocating "19 episodes of the gods"? The script is so unreal that it makes people get goosebumps. Okay... At least pay attention to whether the logic before and after can justify it?
Looking back, let's talk about whether the hero can open up.
First of all, all conclusive assumptions are post-mortem. I don't care how it is written in the comics. In the anime, I haven't seen a little bit of the protagonist's family background. If someone thinks that you can only watch anime after reading the original manga, according to this logic, the remake of the domestic drama "Tomb Raiders" should also be made by God. And the fact is that a good original does not affect the remake into a bad one, and the audience of the original should also be distinguished from the audience of the remake. What's more, the original Ghost Extinguisher is not necessarily a masterpiece that can be on par with "Tomb Raiders". Even if there are 10,000 pavements for the male protagonist in the original Ghost Mie, it will not affect the fact that the male protagonist in the anime is out of nothing.
Moreover, it is not a core issue to be entangled in whether the male lead can be opened or not, nor is it important. The important thing is whether the transformation of the character setting and the advancement of the plot are abrupt. At the beginning of the anime, the author used a lot of plot to define Tanjiro's "hard-working ordinary person" personality, including the family being killed and obsessed with becoming a ghost killer, training hard in the mountains and finally smashing the boulder, Tanjiro I said that I "only work harder than others" and so on. As a result, this person changes suddenly (without hint) after setting, and Tanjirou is completely like a peg, "It doesn't matter if you work hard or encounter adversity." "Open up", so what's the point of creating a large number of plots in the early stage? The conversion setting makes people unprepared. If you want to imitate the common bridges of the passionate comic but fail to prepare the details, just throwing out the settings blindly is the most fatal problem of this episode.
To be honest, if you come into contact with more scripts, you will feel that the Ghost Devil script is really immature. The manifestation of immaturity lies in the fact that the screenwriter always seeks to optimize the audience's perception, but the script processing method is full of loopholes. Specific to the animation work itself, a good script will not throw out new settings at will when the plot needs it without laying the groundwork. After the settings are thrown, the round settings will be repaired; the settings must be defined from the beginning. Instead of defining while writing the script.
A good script goes through the process from conception to formation. Every development of the story must be reasonable, and the ending of the story is completed before creation. Ghost destroys the chaotic elements, vacillating atmosphere, and contradictory character settings, to a large extent because the playwright did not define the settings at the beginning, just like a third-rate novel. The awkward atmosphere, the accumulation of elements, and the chaotic rhythm are all script problems.
But why do viewers who pursue "the pleasure of opening the moment" care about this? What is logic and sense of immersion in front of Shuang? The work obviously takes care of the feelings of this group of people very well. Perhaps the writer is not incapable of writing a good script, but consciously neglecting the script; if the writer himself has no higher expectations for this work than the "best-selling cool text", what else can our audience ask for?
It can only be said that when the animation industry is in decline, no audience is innocent. After all, if you choose between masterpieces, artworks and tickets, who would not choose tickets?
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