The story is relatively new, the biggest highlight is that it shows another, not the DC universe we are familiar with.
But the characters are still very templated. The story is complete, the plot is steadily advancing, the picture quality, and the fighting scenes are up to the standard. We need more such films to let us achieve aesthetic fatigue and thus give birth to more new ideas .
There are no special features in the characters, and all the characters are mediocre, very step-by-step template.
The simplest example is the conversation between Green Lantern Hal Jordan and Louise's father General Lane. Hal Jordan is a very typical lively and funny type, unruly, but very talented. Are we familiar with this image? Generally, as a protagonist or an important supporting role, it can be completed unexpectedly and even out of nowhere. mission Impossible. In this kind of movie, it usually exists as an after-dinner dessert, which can add a lot of points, as one of the protagonists to activate the atmosphere of the whole movie.
But Hal Jordan in this film is a trick. Ryan, as a fancier, obviously doesn't like Hal, and he is very nervous. And Hal, happily, easily drove the supposedly powerful spaceship, and cut off the call with Ryan as expected. But he was a dragon, so he died directly without follow-up, just to set off how awesome the villain's strength is.
One of the advantages of an animated film is that it can directly press the characters into a more exaggerated template, without making the audience feel too template; press the events triggered by such characters directly into the plot, without making the audience feel too abrupt . This is far from a live-action movie. Therefore, for a character like Batman, it is almost impossible for an animated movie to reach the height of Nolan's.
The conflict scene between Wonder Woman and Aquaman is very deliberate and obvious. How could Wonder Woman and Aquaman suddenly shoot out after a meeting, and be discovered directly by Mela? Mela came to the door directly after the incident, and she had a life-and-death situation without saying anything. Did she overestimate herself or underestimate the other person? She wants to take people's lives, so how can she wait until others are fully prepared afterwards, and not attack her from the front? Diana cut off someone else's head when she was at a loss, as if she was the victim, and she didn't have any explanation after that? She also brought other people's headgear to her head, and she had a grudge in the first place. However, she told Aquaman that it was not a provocation but a warning. Is her EQ so low, without considering what others would think?
It can be seen that they have a lot of problems from enmity to war-they suddenly fired a cannon and were seen by Mela, Mela went to singles out, Wonder Woman also beheaded and brought other people's headgear to her head, and then They broke up. If it breaks, there will not necessarily be a full-scale war, because the Sea King is no longer a knight, but the king who leads one side. The politician is arrogant and will inevitably go to ruin. So the whole episode is a little bit of a joke, and it's all for the sake of breaking off, which can be clearly seen. The characters here, Diana and Aquaman, have no personalities, only very Western personal heroism, very self-confident, and like to be cool.
The protagonist, the Flash, reversed time and space and rescued his mother, which is also far-fetched. The Flash has been an adult for a long time, has matured and fell in love, how could he suddenly rescue his mother? Although it was said that a large part of the scene of Inverse Lightning creating an explosion, the Inverse Lightning finally said something to stimulate the Flash, he did not want to do so without discussing it with anyone.
Steel bones are a super typical style that values form, just like a childish elementary school student. This kind of role is unavoidable in the end of the tragedy. Fortunately, he did not have a sensational period during his tragedy, otherwise it would be even more clichéd.
Another feature of animated movies is to strengthen physical attacks and corresponding visual impacts, while weakening long-range attacks such as lasers. This is how Sea King hits steel. Let's talk about it next time you have time.
On the whole, it appears to be a little bit procrastinated, not particularly concise.
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