South Korean directors have a lot of pornographic jokes. For example, in [Memories of Murder], there are men who go to the woods to masturbate at night. Another example is [Effective Family]. The vicious one is Kim Kidd. The first influential movie of this person is [Drifting Desire Room], which seems to be called [Island] in a literal translation. The tabloids give an inventory of Korean pornographic films, and this film can't be included. The sex in it is miserable. It can basically sum up its cruelty by pulling a live fish out of the water, cutting off a few pieces of meat, and putting it back in the water. However, there is no reason for this cruelty. But the later [Unreceived Love Letter] is a very powerful thing. It is more cruel and rough than [Island], but it is cruel and reasonable, and has the ambition of reflection.
Then it was this [spring, summer, autumn, winter, and spring], suddenly abandoning physical hygiene and cultural reflection, and only talked about Buddhism. Good-looking is good-looking, but it is always a little strange. The first half of the story has a strong sense of flow, and the second half is slightly stupid. Especially at the end, it seems that the beginning and the end of the reincarnation will lose their direction when it is not clear. After all, Kim Kidd still can't get rid of the pursuit of formality, nor can he get rid of the heavy use of sex, this time he buried violence, but exposed the little monk's ass. The "Summer" episode suddenly raised the temperature of the entire movie by a few degrees, but the primitive and vulgar sex between the monk and the girl actually did not have the slightest emotional heat. The direct result of this was that the second half of the movie became more and more popular. The colder it gets, the colder it gets, until it freezes, until another spring arrives after it melts, but it seems colder. So I finally understood why Kim Kidd, who has always been showing "cruel violence and cruel sex", suddenly put down his butcher knife. I am afraid there is another meaning to what he wanted to say-the so-called mercy of religion is actually the most in the world. Something cold.
In this movie, Kim Kidd talks about Buddhism on the surface, but the blank space is close to Zen. For example, many animals, killed fish, and copulating snakes have too obvious intentions, but they are not clever. On the contrary, the floating temples, the frozen lake and the withered and changeable old trees constitute a more permanent and unchanging relative concreteness. I don’t know whether karma and destiny are equal, but [Chun Xia Qiu Dong Yi Chun] is obviously destiny greater than karma, otherwise, why did the kid stuff stones into fish and frog mouths later, he might as well use string again Closely tied, doesn't it seem that this cycle is more thorough?
South Korea has a lot of sensible directors. They conform to their own industrial advantages, but insist on implementing their own film intentions. This is something that China has not seen for a long time. The singing of Zhang Yimou and Chen Kai's style of playing in Taiwanese opera is a test of the independence and dignity of Chinese movies, and it is likely to be a carnival-style drinking poison to quench their thirst for their own artistic life.
http://www.blogcn.com/user7/sixdoors/blog/1424419.html
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