Rather than want to watch a movie, I want to revisit heroism, punish evil and promote good, have a happy ending, and feel that good people are rewarded. After all, this kind of feeling hasn't been for a long time; moreover, it makes people avoid reality and steal the bell once.
Probably I don’t remember much of the plot, please forgive me, Amen.
It seems that everything is for California to be included in the United States and to fight for independence and freedom. Regardless of his wife's feelings, Zorro is always working out like a "workaholic". So the wife was dissatisfied, the young couple quarreled, separated and so on. This gap happened to be used by American intelligence personnel, using Zorro's true identity as a threat to force his wife to file for a divorce, approaching a "behind the scenes" a nobleman to inquire about intelligence, but all this must be hidden from Zorro. With his wife's beauty, the beauty plan was more than enough and went smoothly. But just when Zorro was so jealous that he discovered that his beloved wife was "in love" with someone else, he confuses the "Infernal Affairs" plan. Omitting you, killing me and fighting, the hard-working "infernal affairs" life, the end result is naturally Dzogchen: American intelligence personnel were cleaned up by Zorro, rescued his wife and son, and the family cooperated to defeat the enemy and destroy it. Arms, the last two remarried happily.
During the climax, the standard Hollywood cowboy posture, about fifteen minutes or so, I fast forward to finish.
How many impressions do we have about the person "Zorro"? Too little. I was just studying at that time. I only remember that it was a handsome man, covering the upper part of his face all day long, revealing a pair of slightly confused eyes. The posture is vigorous and the movements are elegant, especially when swinging the sword, the breath flow is unique. But today's "Zorro" has changed except for the "signature file". Loose facial skin, obvious bags under the eyes, and a body of fat. It is very well-dressed. The dark brown hat has a large pattern, the white shirt is clean and gentle, and the cuffs show blue lace, showing aristocratic temperament. It seems that "Zorro" is more and more aware of "beautiful experience". Sword-swinging movements and skill have not changed much, but he always uses swords to deal with robbery. How many let us sweat for him, and the weapons are too outdated. I said Zuoxiongtai, in terms of clothing, follow in FASHION's footsteps, and weapons shouldn't be lagging behind.
I want to talk about the other two most: my beloved wife and son.
The first time I saw the stills, I thought that the low-cut and plump woman with a long wavy haircut was an affair with "Zorro", and Mi You thought that she was actually the wife of "well-known". In the play, she plays the role of "Leung Chaowei" to penetrate into the enemy area, picking locks, climbing walls, fighting, erasing fingerprints after obtaining intelligence... and so on. Every detail is quite "technical", and it reminds me of it. Once: This woman is really not easy! No wonder he can become the wife of "Zorro".
The son of "Zorro" didn't know that his father was the "Zorro" who worshipped every day. Especially when he saw his father being slapped by someone, he must hate "Why are you not Zorro!" But as the saying goes, "If you have a father, you have a son." This son's "inferiority" is not inferior to his father and mother. Seeing that the teacher is not pleasing to the eye, he uses a leather bow to sling him. The "weapon" strike that didn't hesitate to see the bad guys appear. He also helped "father" escape from prison. The most amazing thing is that at a young age, he has actually understood the truth of "It's better to get a tiger from a tiger's den", and went to the "base area behind enemy lines" alone to obtain first-hand information about the enemy. In the end, he was naturally captured by the enemy, and his father appeared to rescue him. Come to think of it, even if this child is not regarded as a "hero of salvation", the profession of a "frontline interview reporter" is also very suitable for him.
We will still tolerantly accept the fried cold rice film, but we feel too deep about the "first time", or some concepts have become "established patterns". If the screenwriter and director deliberately change something, reverse something in order to create new ideas, Most of the results are "self-defeating." How many "sequels" can surpass the "first episode"?
I think all editors and directors should reflect on this question: Why is the fate of the second after the first best-selling ending in a tragedy?
By the way, there should be one more person added to the stills of this film-Zorro's son-otherwise his role in the play is a bit obliterated, after all, the credit is also given!
A "family portrait" is also not bad, and the title can also be changed to "Zorro's Family".
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