Three story lines and three women represent three different stages or positions of women in the workplace: Megan is a female elite who has climbed to the top and has the right to bargain with the boss (this is the case for women with an annual salary of tens of millions, Seemingly glamorous, he can only swallow his menstrual humiliation publicly by Trump); Gretchen is the middle mezzanine, which can be replaced and fired at any time, and finally had to give it a go; Kayla is a newcomer, innocent and full of longing. But she didn't know that she was the easiest prey, and no one told her these tacit secrets. Faced with the demands of extreme shame, she didn't dare or knew how to resist, and even felt that it was her own fault.
These three lines are the only time they intersect in the elevator. They are all summoned by Roger (or thought to be by him), who represents the top leader of the TV station. Because Roger has always adopted the strategy of letting the female anchors fight each other, they are like The three prey are looking at each other, the atmosphere is very subtle, but they are unable to communicate information, and even suspect each other.
Until this moment, their respective labels have disappeared, leaving only the same identity: women who are forced to survive in the cracks of the male-dominated power field.
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