The 13th #法罗岛电影节# The 3rd screening day of the no-know section will bring you "We Have the Night". Here is the evaluation of the frontline brothers from the light and dark!
Very night texture.
Mo Yexuan:
Perhaps this is fate and cannot escape.
Little Love Songs of Paris:
The quality of the photography is good, and the car scene and the last scene are also interesting.
Ye Fan:
How is Mark Wahlberg like the brother of Joaquin Phoenix?
Polaris.J:
It is very similar to the Hong Kong police film of the last century. The car chasing scene in heavy rain is very good. What is Joaquin acting?
Sparrow:
Emotionally driven police and criminal film, being abandoned by two fathers is a symbol of wandering fate. It seems to be a master of one's own life, but it is actually a pawn used by both sides.
Supremacyacron:
The gangster element lacks passion, and the character setting is a bit reluctant, but the outstanding performance of Jacques Phoenix and the photography that renders the lonely atmosphere are not bad.
zzy granite:
After "Little Odessa" and "Family Enmity", Gray once again discussed the fate of the family. Fate-like family bonds force you to step from night to day. Gray’s atmosphere is first-rate and Joaquin Phoenix is great.
The Northwest is gone:
The story is completely typified, and the highlight lies in the shaping of the atmosphere. The night is endless publicity and carnival, but the day is as solemn and gloomy as the night, the dull gunshots in the reeds, the vague chasing in the rainy day, a calm work far beyond the level of traditional police and criminal films, Gray is too good at shooting.
Snow-Nashville:
Unlike what I expected, it turned out to be a movie about police officers and gangsters. In Phoenix's opponents, he is always the most brilliant one. He has so many brilliant shots that make you bored, as if the director has no ability to impress the audience with more than two characters. The pattern is similar to that of Hollywood police films. The drama about the two brothers is really sleepy, and the ending seems to be urging happy ending.
Sugar-free Tucao:
Although the genres that Gray has seen in the movies are not the same, they all focus on the characters. The police seek revenge by blood, and the gangs are tight-lipped and independent, with black and white chaos, like "The Gathering at Southern Station", the characters are wrapped in the environment and can't breathe. This lonely and pathetic core is driving the characters to make actions, but they are powerless to change. There are very few things that can be done, such as the simple and crisp shot in the reeds and smoke at the end, and nothing more.
Pincent:
The melancholic blue and the black at night combine to form a gray (gray blue) between black and white. The individual is implicated by fate, so Bobby enters the day from night, and the individual is above fate. We spend our whole life... explore the relationship with our fathers, family feuds are like the beautiful mist, which makes people lost in it, and attracts people to walk in. In fact, it is our father who is looking for. The traditional classic police film genre skills are too stable, and some of the rhythms are slowed down.
No one at midnight:
Deng's disciple, who didn’t intend to stand on the front of anyone, had to get into the water because of his father and brothers. , Leading a melancholy reward. Gray's story is as simple as ever, but the freehand part is less intense. "Lost City of Z" has the magic power that makes people suck in like a magnet, and the weightlessness of the drop in "Interstellar Exploration" is also very beautiful, and the loneliness and dark blue melancholy like second-hand smoke in this film are actually in "Little Odessa" There has been a better version, only the last paragraph is still full of flavor.
#FIFF13#DAY3's unknowing site rating will be released for everyone later, please wait and see.
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