Two stars for music and pictures, as for the plot... I watched it with disgust. The over-indulgent female protagonist is habitually late, literally at work, stealing public property, and everyone around her is unlucky, self-willed and arrogant, and she can’t see at all as a "cultural person" among the cleaners. Low self-esteem, after being accurately described by the big boss, he didn't change his face and turned back with sign language. The so-called "great salvation" is nothing more than wishful thinking of self-introduction to the "kind" (in fact, Shui brother is still very good after drinking enough water, how can he be lonely in his hometown but the worshipped god), after satisfying his desires and unlocking new py I wanted to continue raising her in captivity regardless of her life and death (all skins were peeled! In a disguised form of cruelty to animals and asking her to sell her body, why did the public welfare activities become private clinics?), and then continue to destroy them on a large scale (how good the theater owner treats her, but also I don’t want to play a new pose, just Water Man Theater). Everyone gave the heroine unconditionally. Who can taste this 45-year-old Mary Su? In the film, as the heroine throbbed deep in her heart, she began to put on a variety of sorrowful reds, red headbands, red dresses, red dresses, and red stiletto heels. The spring light on her face couldn't hold her back. The most silent thing is all kinds of unnecessary forced fruit dew and intimacy lens. Yes, the shooting color is very high and there is no trace of eroticism. That is because there are two bodies, bodies, roots, roots, and one point. None. pretty.
Some people like to rise to the so-called "resonance from disadvantaged groups" to beautify the film. I just think this is the director's lowest-level trick. The characters in the film are very facial makeup, which makes the film have a kind of idealistic naiveness, which weakens the social criticism and deprives the audience of the ability to think independently. "Positive people" seem to have no human shortcomings, but they suffer "unfair treatment from society."
Is the heroine miserable? As an unsound orphan, her past is sympathetic, nothing more, she lives on her own. In fact, the hostess uses high and high hands to brush her shoes every day, and she makes sandwiches for the gay guy next door. From time to time, the theater owner will give away tickets, and some girlfriends at work are waiting to help you punch in the queue. She doesn't work in important experiments. Nobody cares about the picnic and dancing in the room. The overbearing ghost boss and the elegant black-bellied scientist can still look at her. In the whole film, except for the last 30 seconds of the shooting, she didn’t even have a foot. What happened to her? It’s embarrassing?
Is your neighbor's life miserable? I live alone in the sun room, and carefreely raise a group of cats. When I am happy, I draw two strokes and go to the meeting of Xiaoxianrou every day. At least it is the owner of economic independence and financial freedom. His three major worries are thin hair (a problem for many men), hindrance in selling paintings (this is not considered sexual discrimination, who is going smoothly in the workplace), and the tofu that eats small meat and idols is rejected (think of meeting tickets) If you have enough, you can exchange handshake coupons. It's too awkward to touch it when you get started. Change to a straight guy and a waitress to feel it?) These are all his own reasons, and have no inevitable connection with the character's sexual orientation. Even the unfortunate thing of cats being eaten raw can be "a blessing in disguise" and plant a hair. It is estimated that the painted brother Shui will be an instant hit in the future. Looking at the small fresh meat of the pie shop, I feel so indecisive that this matter is endless.
Are black girlfriends miserable? Her "tragic" represents racial discrimination at work and gender discrimination in the family. According to the rhythm of Taiwanese local dramas, she should be a tearful beauty, or she should finally awaken under the fake yy, and the KO boss should be angrily. Her husband became an independent woman in the new era, but she did not. Zola is one of my favorite characters. She is positive, affectionate and righteous. She is aware of the injustice she has suffered, but like many ordinary supporting actors, she still works and lives meticulously, and lives her true self in the face of adversity. The courage to defy the power is commendable, but the wisdom of calmly dealing with hardship is equally respectable.
On the contrary, the senior management of the laboratory is bad one by one, the security captain is stupid and authoritarian, the new boss is cruel and violent, and the general is cold-blooded. Their existence is only to promote the plot and set off the decency. The entire rescue plan is more than a taxi. It's quick and easy. Of course, scientists can't be smarter and alert than the working people, or else how to perform the show.
I’m not afraid of this year’s Oscar’s face. After all, in this era when everyone is clamoring for “equality”, I am weak and I have reason.
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