In Rohmer's films, encounters are very easy to happen, and then they meet and talk, one or two vague feelings go back and forth, and then either usher in a natural union, or a light wind blows the clouds away, and there is no false noise. Joy, and no hysterical despair.
The reason for nostalgia is not the ending, but the process of meeting different people, so naturally you can sit down and talk, by the sea, in the shade, on the grass, in the living room...
Betty, the protagonist of the female collector In fact, she is a girl with no intentions. Her most charming attraction lies in her nonchalance, casual interaction, and no idea where true love is. Her inattention became her temptation.
She wants love, but does not deliberately pursue love. There is no preset image of a lover in her heart. She lets herself pass through the men who appear around her like water.
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