1. Let's make a big conclusion first, it's better than the first one, and I like it. Then my friends couldn't help but say, how can you, the surnamed Qi, pretend to be an unpopular movie lover all your life and lick the asshole of the main theme movie? Hehe, there is a saying that has always been told to me by others, and today it is finally my turn to tell others: the people like it, you don't like it, who are you?
2. We all know the current difficult situation of martial arts films. I am very happy that this film has seen the shadow of modern martial arts films. The last time I saw it was Jia Zhangke's "Apocalypse". In the period when the traditional martial arts novel type was established, the main characters were mostly the main characters of arresting fast, loyal and chivalrous as the main line, and personal love and hatred were not advocated. Since then, it has become more and more diversified, and the roles have evolved into countless children of noble families, prodigal sons of Jianghu rangers, and people outside the square, while the traditional chivalrous type has gradually evolved into a detective type. show negative characteristics. "Wolf Warrior 2" let me see the continuation of the "loyal and fierce martial arts" type in the Ming and Qing Dynasties: Needless to say, Leng Feng's public identity. Secondly, I personally like the demolition scene at the beginning very much. This scene has little significance in the overall construction of the plot, but it has established the tone of martial arts very well. It complements the almost indispensable element of martial arts films, "prohibition with martial arts". At the same time, in the evolution of the whole plot, although looking for his wife is the backbone clue, what Leng Feng does throughout the whole story is the process of "chivalry" behavior, that is, "what you see in others is what you gain; what you lose in seeing others" , as one's own loss." The so-called chivalrous behavior is to wear the cloak of "martial arts" to carry the way of "literati", so chivalry itself has nothing to do with personal ability, but whether he can abide by the principle (chivalry and benevolence), Leng Feng's strength does not lie in his almost magical individual His combat ability lies in his perseverance, courage, uprightness and unyielding qualities. He has no hesitation and hesitation in the face of every decision, which is the source of his strength. As for the day, day, day, and day of the aircraft and tanks, it is just the external manifestation of all this. It is extremely stupid to argue whether it conforms to physical logic. May you not be the person who seems objective and rational, but is actually vulgar.
3. In "Rurouni Kenshin", Kenshin said that if he could defeat Saitoichi just by seeing through his swordsmanship, then the winner should have been decided at the end of the curtain, because he understood that Saitoichi's strength was not in His swordsmanship is his implementation and persistence of justice. And Xu Haofeng said that the northern concept, the sword is a defensive skill, and the back of the sword is more important than the blade, because the person is behind the sword. Martial arts novels are the back of a knife, but luckily, there is a hiding place. I don't need a knife, but I have this hiding place, gentlemen? May the heart of chivalry become the back of everyone's sword.
4. Scheduling B, Editing A, Music A-, Motion Picture A+, Script A+, Performance B-, Rhythm S-, Poster D. Wu Gang has a bad review, and Yu Qian is redundant. Lu Jingshan's legs are well received (I also want to lie on them). At the end, I felt that it was not handled well, and the scene of raising the red flag thought of Xu Zhengyang in Zhongnanhai's bodyguards.
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