3.5, it is indeed a lot of progress from a roadside picnic from a technical point of view. With three top-level photography directors in the industry, the composition and lighting on the screen are very good. Unfortunately, at the same time, the problem of Bi Gan's appearance at the roadside picnic was magnified even more. There is no sincere emotion in the movie. Every professional actor seems to have three philosophical propositions on their faces. Who am I, where do I come from, and why am I here? Of course, it's still cute to advertise that the film is about time and dreams. However, the characters under these themes seem to be chaotic, with no beginning and no end, and I don't know why they are so depressed? And every time the actor opens his mouth, it is even more disaster. Huang Jue and Tang Wei seem to be switched from the bar in Sanlitun to Kaili, Guizhou, and they are talking hypocritical and old-fashioned dialogue. Every sentence is contrived to make people laugh. The story is actually very simple, and there is nothing difficult to understand. The symbols of various animals seem to have been "stealed" from the section chief. Laota's things are still "appropriated" very happily, and even Quentin's foot fetish has been copied. The more exquisite, the more like a platter concert. Of course, the box office is a big hit, and the cost is recovered overnight. Who will really remember this day, everything is like a dream, Bi Gan, the only koi physique, is successful at the secular box office. This is beyond doubt. But, what you are looking forward to is the next Wong Kar-wai, and waiting is the only hope in the village, Yang Chaoyue. A few years later, the next film will be cleaned up, and then go to the competition, it doesn't matter if it won't win the award, it already has the status of the young director of the best box office literary film, and it will be the next great publicity hotspot. The world is so beautiful.
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