The boy followed the production chain of the cotton textile industry to witness the reality at different levels in Brazil: the machinery of the large plantation, the program has not lost its beauty; the machinery of the cotton spinning factory, the gray, the workers' factory-the reality of two points and one slum; It is sent to the "superior" cities, processed into clothing, and transported back below. A metaphor for poor scissors. And the clothes brought back by the scissors could not be bought, and the workers faced the reality of two points and one line in the slums. It is a cultural life composed of graffiti and low-end entertainment. It's canned food with a program that offers daydreams. Football, which seems to be able to unite the strength of a country, is just a joy outside of people. Traditional music is their home. But tradition has become a ghost.
Even sadder: the cycle will continue. The child's point of view and surreal style make heavy content relatively easy to swallow. But when the child grows up, we finally know: the child-father-old man, the positions of the three are isomorphic, and it is exactly one person. The industry continues to progress,
Seize the space of people and fix people (generations) in a similar position for circulation.
The film uses rotation, white space, and color to create a subjective point of view. Thanks to the child's perspective given by the film, people can also put a hint of joy and swallow the unacceptable fact. However, the most powerful passage in the film is also the documentary passage wedged into the animation. The beginning and the end form a clever loopback. The beginning goes from silent to a red dot to splendid, and the end turns back to silence. The story is true and fictional, and we can probably forget it. But that silence was the most powerful and gentlest voice. It is referring to the passage of record - life.
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