Or maybe it's a story, this one Camille is enough to cover the movie.
She had dark circles under her eyes, she smeared white powder on her face, she cried, she laughed, she ran, she went crazy, she was hysterical. Paul said that in the end she came to nothing, "my sister, she suffered a lot". But you must remember that the beauty of this woman requires imagination to describe.
When the Seine flooded, she was in the house, dirty. Falling to the ground, she said, the world cannot forgive me for being so talented.
The first part of the movie has been slow, and I don't know if it's long-winded, but I don't seem to be watching her entanglement with Rodin. Her love, her madness. Just like her talent, how can she be forgiven for being far away from ordinary people every day?
In fact, I think she's a most innocuous genius, I mean her looks and how she looks as a woman.
I may have been ignoring the love of Rodin. But Camille was right, she said, you are a sculptor, how can you be a sculpture?
As an artist, she has an exiled love. The drama of life is, of course, a tragedy.
When she went to bury those sculptures later, I felt that such a picture was easy for people to understand. However, her fear of going her own way, but she was born, there was no way.
Sometimes when I watch a movie or read a novel, I wonder why the director made such a movie, and why the author told such a story. In Camille’s movie, I noticed a word, moved.
Can destroy her own creations with her own hands, I think, Camille, she is a treasure in herself, a miracle.
Camille's vision of the three. The tearing person, in addition to her ecstatic love, she also has ecstasy power. In fact, I also regard her love as her genius.
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