The French title is "Camille. Claude, Rodin's lover, for Camille. It's unfair to Claude, she has struggled all her life to get rid of Rodin's shadow, but the world only knows her because of Rodin, how sad.
In the history of French art, Rodin is almost an insurmountable monument, I don't know if it is really as headstrong and emotionally selfish and cowardly as shown in the film. The sculptor who created such profound works of art as "The Thinker" and "Gate of Hell" must have his own extremely vast and rich spiritual world, but is he not known? The demands of great men are always made more tolerant or harsher by their achievements.
There will always be unexpected gifts in everyone's life, and God is especially generous to Rodin. When he was 45 years old, the young girl Camille. Claudette inspired his art with her amazing beauty, talent and love, thus forging an even more splendid art history. Rodin was also shocked by Camille's self-taught artistic talent. She became Rodin's most effective assistant, student, model and intimate lover. They worked together to create sculptures with new human movements and expressions. Impressive and expressive sculptural language, and express the joy and pain brought by love in the works...
Maybe for men, love is not everything. Once the soil of genius is nourished by love, more beautiful and gorgeous flowers will bloom. Come, but the same love and amazing talent bring only destruction to women. During the few years that she was closely linked with Rodin, Camille overdrafted all the happiness in her life, and her beauty was frozen in Rodin's sculptures. , And she herself was burned to ashes in this love that did not belong to her, but she did not have the luck to be reborn from the ashes.
I don't know if Camille got Rodin's true love, maybe she is the "only goddess" in Rodin's heart, but this woman who is immersed in love is so steadfast, the genius woman's innate sensitivity makes her take on more She was unable to share Rodin with other women due to so much suffering. In fact, Rodin never gave her such a chance.
No matter how intense the relationship between Camille and Rodin was, they still could not get stable feedback and commitment, and Camille's pride and dignity prevented her from begging for Rodin's pity like ordinary people. "We are of the same kind, transcendental and natural", this is just Rodin's excuse, "You are the woman I want most in my life, but I can't" is even more hypocritical. In the emotional world, women are always more pragmatic than men. What they want is to stay with each other day and night, and they want to stay together and grow old together. It is so mundane, even a talented woman who is outstanding is not immune from it. I do not Believe in Simone. Beauvoir's decision to share other emotional encounters in each other's lives with Sartre is out of her own choice, and she will never recognize the still talented Hu Lan as the many gorgeous excuses for her promiscuous pursuit, whether for Zhang Ailing or others.
The real Rodin in history was romantic and affectionate. He had countless lovers. It was not until the year before his death that he officially married Rose, a female worker who had lived with him for more than 50 years. She was the ordinary woman in the film who had followed Rodin for many years but was unable to share his great artistic achievements. , Should we respect her humiliation-bearing feelings? Rose is also very pitiful. Her persistence and helplessness have kept Rodin, and how much of the original love is left? And Camille, she's so beautiful, so fragile, yet so strong and heart-wrenching, let's not be indifferent to her pain, because of love, so we always think that the other women in Rodin's life are just passing by, Can't compare to Camille, but if you love her body, why not give her a name, if you love her talent, why not let her create independently, how can Rodin hide his contradictions and selfishness?
Camille broke away from Rodin in 1892, set up her own studio, and began a period of isolated and independent creation. She was still full of creativity after leaving Rodin, but all the beauty of youth and vitality is gone forever. Her work begins a kind of expression of pain. She is a middle-aged and fading old woman in sculpture, a young girl, a rough man, and an empty trinity.
There is a scene in the film of Camille and Rodin's heated quarrel in the studio, when they have separated, Rodin's hesitation and ruthlessness finally robbed her of the last hope of love. "Just as people make a mistake, it's irreversible, that's it, I don't want to explain it", maybe in the face of such a domineering and fiery love of a woman, a man has to give up exhausted in the end, knowing that it is by no means a simple Mistakes can be shied away, but with a heart that can let go of unresolved feelings, Rodin understands this, but Camille doesn't. Despair stems from this. Since then, she has gradually become crazy, and she has fallen into crazy fantasies and suspicions mentally. Although she is talented, she has long since disappeared in love.
The world loves her beauty and talent, but she hates the world and herself. Love is too heavy and too unreliable. The deeper the love, the greater the hatred, the deeper the love, the more hatred, only love can have hatred, if you really let go of everything, there will be no heartache at all, Camille will hate Rodin to death, resentment and anger dominate Everything in her life, hated his departure, hated his non-response, hated his hesitation. She tried to erase all the feelings she had with her crazy behavior and delusions. After all, hatred is better than regret. Since all the crazy attachments are just because the wishes are not fulfilled, it is best to convince herself that this wish never happened at all. .
This role is played by Adjani, who is as crazy as Camille. If it were not so beautiful, fragile and sensitive, we would not be so heartbroken if we changed to another actor. I have never seen Isabelle. Adjani, always thought Sophie. Ma Su is the most beautiful. It turns out that Sophie's beauty and delicacy have long been prototyped, with the same pure blue eyes, delicate red lips, flowing long hair, classical melancholy mixed with ruthless passion and a A little bit of neuroticism. Adjani's father is Algerian of Turkish descent and her mother is German, and her mixed-race endowment is endowed with an "illegal beauty", which makes her an ideal interpretation by directors all over the world "hysterical, aristocratic and neurotic. Fascinating Derangement" actress, who plays Adele. Hugo and Camille. Claude, and Queen Margot as well. Even if she scolds Rodin in the deep alley late at night, even if she frantically smashes all the works, even if she is claustrophobic and haggard, she is still beautiful and heartbreaking.
In the end, she became worse than the average person. All her relatives, lovers, and friends in her life left her. The world does not leave any room for fallen women. If you lose, you will be a pirate for life. She was described by the doctor's report as being so sloppy, rude and unbearable. She was sent to the car of the mental hospital by her brother who loved her dearly. She struggled and was finally helpless. He stared blankly at the gray sky outside the window.
Camille spent the rest of her life in a lunatic asylum, which was quite a long thirty years, without Rodin and without herself. In fact, she has been arguing with her fate, unwilling to compromise, until she dies.
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