Thirty years! Imprisoned the body and mind of a female artist who once burst out the energy of genius and passion! Fact. Facing the ordinary world, Camille declared her immortality. No one dared to accompany her to this place where she would never look back. Because of reality and sobriety, people watched her unreasonably, and destroyed her in the name of the watch
. In this inhuman captivity, she still survived 30 years with wild vitality. She herself did not know her tenacity, nor did she know that Rodin, whom she loved, died in 1917. This genius woman is just like that. Every inch is exhausted.
Genius is like a developing fetus in Camille. When it gradually takes shape, she passes her girlhood smoothly with a vigorous face; when it matures and is welded with love, she With the spirit of artistic creation and Rodin's sculptures day and night, we can't tell which of Rodin's works during this period are Rodin's achievements and which are Camille's achievements; when love abandoned her, she was lost to the world of men Throwing it back into the world of women, it turns genius as a magic wand that points to madness. This fate makes our grief and doubts difficult to let go of.
It is true that Rodin was the collective incarnation of the French society of men in the 19th century, but it was written by men. Can the thousand-year-old psychological projection of the collective unconsciousness of women be regarded as the real executioner who strangled Camille? It made Camille, like other women, longing for a home. It attacked both internally and externally together with the external patriarchal society, and worked together to strangle Kamil. Mir. It first made the concrete Rodin separate Camille from actual induction and skin-to-skin relationship, and then it jumped out of Camille's heart, making this woman weightless in terms of the balance between genius and emotion, letting genius and emotion be in harmony. Camille's heart is internally attributable. It roars: once a man loses his emotions, he can accomplish genius with reason; once a woman loses her emotions and wants to create a genius by herself, then you are not a woman, and then you are destined to become crazy and inhuman.
What a lovely and textured woman Camille used to be! The mistake of her life seems to be to have a genius and an unyielding personality, otherwise she could have become a beautiful, stupid and gentle woman, enjoying a glorious and gorgeous life. The temptation of those collective unconscious psychological projections She looks for a home and tells her that she is a woman. She has blood memory, she can't abandon her gender, she can't abandon her genius, she can only experience the dangerous swooping of genius and love in the field of sculpture as a pioneer of women.
From the end of the 19th century to the beginning of the 20th century to the end of the 20th century, Camille, named after her "Rodin's Lover", warned every talented woman: Do you choose to be a genius or a woman? If you want to choose both, So how do you show history who you are? A genius accidentally slips a step, and it is madness; a woman accidentally slips a step, and it loses her gender. This is the face of history Yuan Mu Jingwei.
Wan Yan
I'm not a feminist. We took this position together when discussing this with Dai Dai early on. Some idea artificially hardened it Sharpening, pushing it to a certain extreme, can only be limited by its own narrowness in extremes. This is a slogan that cannot be shouted and does not need to be shouted. This is just a choice that each individual needs to make silently. After the choice, silently Swallow a result, that's all. Even every choice can be hell in the assumption of the options that are abandoned...or that's what life has to endure...
watched in countless books, countless movies, countless examples A talented woman, in the pain of being torn apart, broke one of her own wings, and will no longer fly, or fly with the eyes of a woman. A woman is talented, unless she is fortunate enough to have a great peace or a great rebelliousness at the same time. Otherwise, it will be doomed in itself.
For a long time When I read "Rodin's Lover" before, the feeling at that time was the sentence of Mr. Wan Yan in the article, "Our grief, anger and doubts are hard to let go of"
, but when I think about it now, what is really hard to let go is the last sentence
"This is history." Yuan Mu Jingwei's face"
This is the face of Mu Jingwei's history...
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