3D action movies have sounded the horn

Nola 2022-11-25 12:03:50

Although the plots of the two films in this series did not continue, the style of filming, such as knife and blood, characters almost KO in the audience, strong gangsters and weak police, etc., all saw the inextricable connection between the two. This film also made I see the potential of 3D action movies, which is really exciting. I believe that once this movie comes out, there will be more 3D action movies in the future (I really want to see what the 3D version of "The Grandmaster" will be like).
The confrontation between Tony Jia and Wu Jing in the opening scene made the blood boil, and I started to get impatient with some of the plots in the middle. The fight only started in the second half. In fact, when I saw the back, I felt that this was indeed the result of the director's efforts. Vegetarian collocation only tastes good. After gunfights, car crashes, and escapes come fights, and finally dinner.
It can be seen from this film that Hong Kong films use more 3D lenses than mainland China, and at the same time have more innovations. Tony Jia's long shots in "Fist Fighter" are well borrowed in this film. In 3D movies, this sense of scene is established more clearly and concretely. Traveling through space inside and out is also well done. This movie has used it many times. There was a shootout at the airport, a prison car sent an uncle and nephew to slaughter the meat, and the final fight was a way of switching shots. The sense of space is very sufficient, and the strength of 3D ——The "big scene" is integrated into the movie in various ways, bringing a different experience.
The fusion of different cultures of the two kung fu superstars in the movie is also an interesting thing. From the very beginning, when the phone rang, I felt a communication barrier, and I found out that it was not the "owner" by using translation software. And their martial arts styles are also different, one Muay Thai, one Chinese Kung Fu, as well as the final boss Zhang Jin's leg work, the assassin's flying knife, etc., which are quite distinctive. The language is also, let Zhang Jin speak Korean and Indian, thanks to their imagination, but after all, there are not many lines, they are quite similar, and the fusion of cultures can be seen everywhere.
There are some problems with the processing of the branch line in the movie, there are too many side branches, covering the main line. For example, the person who picked up the mobile phone doesn't have to leave the country at all, or give a shot and an expression to let people know that it was a fool who picked it up, and that's OK. But there are many scenes of his appearance, and there are close-ups of his face. These time are good for the "baton-knife" sparring, but then there is no such thing as a fool, and I don't understand the need for this branch. And the fat nurse, who gave her so much time to squeeze the bookshelf; the appearance of prison guard Lu Huiguang is also a bit redundant, perhaps to let everyone see more old faces, many actors in old Hong Kong films are also original Starring in the role, awakening some memories. In fact, so many characters have indeed enriched the characters, but at the same time, there is not much time left for the protagonist to shape, such as the relationship between uncle and nephew, such as Wu Jing's drug rehabilitation, the scene where the little girl encouraged him to quit drugs was originally a very difficult scene. Good tears, but we didn't cry, just touched it.
For martial arts, one of the breakthroughs in the film is that the soundtrack of the martial arts is integrated into the music, sometimes giving people the illusion of a musical, which must also be combined with the characteristics of India. Originally, domestic martial arts films pursued authenticity, from all aspects, including the emphasis on punching and meat when filming, some scenes of face slaps were shot in slow motion with high-speed cameras, and there was almost only the sound of fighting during the fight. When hitting a tense place, it will be muted or only the sound of heartbeat and breathing, etc., these are all about the authenticity and purity of martial arts films. However, the martial arts of this movie are not, the action is fast and the soundtrack is also fast-paced. The high-speed slow motion of Zhang Jin's two palms hitting Tony Jia's chin. The soundtrack is a high and long note. Incorporate music into the verses you read, so you know how hard it is.
After watching the movie, what I want most is to turn out the action shots and watch it several times. It's so exciting, the action is fast and neat, there are too many details, and I can't see so many details at one time. Maybe I'll take a look at the electronic version in the future, but the 3D immersion is missing.
The movie is very good, come on domestic!

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