It's like watching a modern version of the "third-level martial arts old Hong Kong film", the sound, light and rhythm are all, dim and clear light, the sudden rise and fall of the wind, and the above-average blood plasma, no matter what. A nice or interesting look and feel.
If the plot cannot be made fuller due to the limitation of space, then a large number of close-ups and images will become an unreasonable luxury, so obviously it is not the fault of the story that the story is thin... The close-up of the animals' eyes in the Wetland Park is very atmospheric , but it seems to stop at the atmosphere. Compared with David Lynch and even "The Last Night on Earth", it is less metaphorical and more mysterious, but it doesn't hurt to just look at it.
Hu Ge's stubble left a sense of vicissitudes of life, but I personally feel that the character is still a little too handsome (I always think he looks very friendly and pleasing to the eye, and my uncle is also classified by me into that kind of face). I liked Gui Lunmei quite a bit before. In this film, it feels appropriate and inconsistent. What is appropriate is her usual lonely and lonely look. What violates the harmony is part of the image and details of life actions. The characters who smoked before and after grew up, I believe in the latter. After all, there are a lot of close-ups of the hands, but it does not prevent some self-defeating... Liao Fan is so recognizable, but it is natural to play roles in various directions. Overwhelming", "Children of Jianghu" and so on, I admire him more and more.
Finally, returning to the general picture, looking at the current domestic film market, such films are still rare and clear. It can be regarded as a good choice for audiences who are on the edge of business and literature and art every once in a while. It is not easy.
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