Some people jokingly called it the Japanese version of Wuji before watching it, but I didn't take it seriously. I haven't read it yet, but I can't help but want to salivate.
I didn't know much about the history of Japan before. Maybe these are not official history. I only know that there is a famous game called Taige Lizhizhuan. It tells the story of a samurai named Oda Nobunaga (I often call him Kiyoda Nobunaga by mistake, the guy in SLAMDUNK who is as frivolous as the flower arrangement), and I have to admit that the Japanese samurai spirit can easily arouse men's bodies in some aspects. the nature of the struggle. Killing, strategy, power, country, beauty... These are all necessary factors in troubled times, and they are also what heroes from all walks of life pursue before leaving legends (although the film repeatedly emphasizes the concept of justice). In the first half of the film, I admire the character of Ishida Sancheng, who has a handsome face full of ambition. But after all, he is too young, so he was abandoned by history and became a paving stone for success (I knew it from the plot this morning). I'm thinking, if he has the skills of Goemon and a little more forbearance, he will be the winner in the end, at least that's what I think.
It's just that when he faced Hideyoshi with a gun on the boat, he failed to decisively change the historical pattern. Could it be that he has been servile after being a minister for a long time?
Heroes in troubled times have always been chess pieces used to change the pattern, while chess players are mostly hidden in the mountains and forests to control the overall situation. Forbearance has become a necessary quality for chess players. As soon as Tokugawa came on stage, I could see the identity of this chess player. Maybe the temperament shown by the actor was too exaggerated, or maybe I was too sensitive. However, it is indeed not easy to make Hattori Hanzo take refuge with one heart. On the one hand, there must be a deep strategy, and this strategy must be combined with the overall situation to reflect a sense of justice, not for personal desires, but for the people's feelings, so that a famous warrior like Hattori can sincerely surrender. The second is to have a good grasp of the overall situation (in the game, we call it the controller, like Tokugawa, who is a very good controller of micro-manipulation), and there is no obvious servility in Tokugawa. It is a quality that Hideyoshi and Ishida cannot have. Tokugawa has no sharp opposition to Hattori, Chacha, or anyone. Even when Chacha became Hideyoshi's side room, he just pushed the boat along the way, making it happen. Goemon participated in the entire history, or, Tokugawa did not deliberately go to the left and right. He is a chess player belonging to the Tai Chi faction, while Hideyoshi and Ishida are all strong boxing players. Which is better? At a glance.
I am such a person, as long as something arouses curiosity, it floods out of control. I am obviously stuck in the era of Oda Nobunaga and the series of events that occurred in this era, so I started to want to play the long-established game Taiko. in order to understand what happened at that time. In view of these, I began to have a clear desire for those eras of competition in China. The affairs of the Three Kingdoms, the Qin Dynasty, hehe, are unfathomable, and there are only a few legends about the warriors. When the time is right, make up your mind to understand.
The picture of the film is very "promise" and very "anti-gravity", which may be a matter of budget. It can't achieve a better visual experience like "The City is Full of Holama" and "No Chicken", but the film substitutes The sense of the times is very strong (maybe I say this because I don't know the whole official history very well), and on the whole it is much better than those big-budget movies in China. The plot and characters are fuller, and it is no longer a causal relationship of "follow you to eat meat". The funny thing is that the film also specifically emphasizes the sense of justice that "the king fights to stabilize the world". In my opinion, it is a fig leaf, and what kind of shit, it's all an old-fashioned cliché that wants to be crowned. There are many people who can control the pattern in history, and most of them have set themselves on fire. Why? Just because they can't make excuses and make excuses, they started to engage in revolution. Those overlords who finally entered the stage are all masters of chess and know how to conspiracy under the guise of the people. Here, I want to take pity on so many heroes of the era. You died so wrongly. If you have a chance in your next life, remember to do your homework first. In addition, Oda Nobunaga should try to avoid such mistakes as much as possible!
When I write, I write about the shortcomings of the people. What's the downside? Changtian's official quotations explain it this way: When individual interests conflict with the interests of the majority of the masses, no matter how just and pure your reasons for safeguarding your personal interests are, you will be eliminated by the masses.
Therefore, when you have the opportunity to compete in the world in the future, remember to be a decent Xuanmin, and then kill as much as you like!
PS: Goemon in his youth is really enviable. He guards a "cute" sweetheart like Mayuko Fukuda every day, and can occasionally go to such a beautiful lake and mountains to admire the moon and express his expressions. Jane is really KAGAYA's dreamy wonderland!
View more about Goemon reviews
