First of all, I have to say that I can't agree with the filming method of this movie. Why do I always have a visual sense of playing a turn-based game while watching the movie? Or is it that the Japanese brain circuit is too long, so it has caused serious delays? Why is everyone's reaction so "timely" ah ah ah? ! It was as if so-and-so was about to be slapped in the face, and then he suddenly reacted, "Damn, am I going to be slapped? Should I dodge?" So he dodged. . . The person who slaps slaps and slaps the air, but he still thinks for a while before he realizes, "Oh, what the fuck, did I just call the air? Well, it should be! Then why don't I try to slap it?! ". . .
Not to mention the large number of monologues inside the characters, it gives the illusion that time is frozen at this moment, so that the whole plot progresses so slowly. At the critical juncture of life and death, either the supporting characters are busy sending their deaths, and the protagonist is busy thinking about life; or the protagonist is busy saving the world, while the supporting actors are busy making soy sauce on the side. Neither help nor run away, what exactly does it mean, even if you call twice to find a sense of existence, how about cheering on the protagonist? This kind of intense and hot dramatic conflict on one side, and the other side is calm and calm, low-key gorgeous, completely incomprehensible. . .
In short, this movie really completely refreshed my fragile three views, and it is an absolute god movie of the year!
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