The story has deviated from the track from the beginning. He Chaoyi abused men and women in Weilou at a rate of ten minutes. Close-up of the stump and broken arm, listening to the wailing and moaning, and pushing the sensory stimulation to the extreme is the essence of a B-level horror film. Indebted, the die-hard B-level Sir Peng's thoughts are all on those big boxes of prosthetics and 100 liters of stunt plasma specially customized from Hollywood. The stunt makeup artist Lian Kai used three words to describe the film, "I have used the most plasma since the film, the most exaggerated stunt makeup, and the most shocking visual effects." After two months of hard work in the Thai studio, he looked at the "stumps" of a good friend - Zeng Guoxiang's neck of a prop that was smashed by a glass, Mai Junlong's bloody mask, Zhou Chuchu's cracked fake tongue, He Chaoyi's artificial foot and Zhou Junwei's simulated "little brother" that can shrink and flow out of body fluids - I can only wish He Chaoyi good luck for a moment!
"If you want to survive in this crazy property market, you have to get even crazier." People are driven crazy by social reality, Zheng Li'e (He Chaoyi)'s serial murders are tangible killings, and the soaring property market and proprietors' drive up It is an invisible killing. Although this film is wrapped in the form of a B-grade film, it seems to be Pang Pang's inheritance and tribute to the third-grade films in the 1980s and 1990s, and he is not shy about being full of flesh and blood, but in his mind, it reflects the property price. The hesitation and powerlessness of individuals in the skyrocketing tide, the unique method makes the horror film show a sense of social criticism, and also allows the audience to have a clue to the psychological process of the protagonist. Step by step to the story.
Li Chang is the epitome of Hong Kong people and a low-income man and woman. In this society where prices are soaring, the disadvantaged groups are always at the disadvantage. In addition, they are emotionally reduced to the third child. Her boyfriend is a collection of all inferior Hong Kong men. Let her It is more difficult to survive in real life. The film is based on her growing up experience - the grandfather who was a seaman wanted to have a room facing the sea, the best childhood playmate was forced to move out, the mother died early, the father was sick and needed money urgently, borrowed it from her boyfriend. The money failed, the owner drove up the property price... Everything completely destroyed the beautiful dream built by Li Chang. Coupled with the sharp contrast with those rich people who have houses but no "homes", it presents a polarized extreme phenomenon. The ideal and reality are incompatible, she will eventually ignite the flame of revenge in her heart, gradually lose her mind, and the cruel violence will flood everywhere like the water that bursts the embankment. The power of Nemesis not only comes from the contrast between the morbid society and crazy chaos, but also from her own spirit of resistance to social indifference and discrimination. When the record player sounded again, she successfully disguised herself with exaggeration, and the whole world seemed to be subverted by desire!
At the end of the film, Li Chang finally reduced Weilou into an overhead dark area and successfully bought the apartment at a low price. When her boyfriend opened a room with him again, she proposed to break up and put the paper cup on the roof of her boyfriend's car. This symbolic element is the secret code of Lichang's childhood and playing paper cup games-they called "over" a "jerk", and when they were children, they said "jerk", but now they are in their thirties. Finally figured out what "jerk" means. The breakup not only announced that Li Chang had found a "new home" in real life, but also found a "new home" in the spiritual world.
Under the banner of focusing on the European and American markets, this film took the audience through a Hong Kong-style B-level addiction. However, there are some scattered flashbacks and interludes. Although a lot of space is used to spread the many difficulties in Lichang's growth period, there is still a lack of frustration and psychological excess, plus the deliberate social depth, so that the B-level film itself is covered in a layer of dust. , and then there are stunt make-up that is messed up with reality, with the theme expression of a specific period, as well as extreme and extreme shooting techniques, so that those students who are keen on Cult films have another reason to collect.
Climax moment: 1:23:30 The record player sounds again
Suitable for the crowd: Peng Haoxiang is a fan of Fans & Cult films
NOV.7
LC
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